"Early Modern German Literature" provides an overview of major literary figures and works, socio-historical contexts, philosophical backgrounds, and cultural trends during the 350 years between the first flowering of northern humanism around 1350 and the rise of a distinctly middle-class, anti-classical aesthetics around 1700. Recent scholarship has significantly revised many traditional assumptions about the literature of this period, starting with a reassessment of the canon. The notion of "literature" has expanded to include a much wider range of texts than before, such as broadsheets, illustrated books, emblem books, travelogues, demonological treatises, and letters.Greater attention to the cultural and social phenomena that affect literary production has led to hitherto neglected areas of research, including the culture of learning and learnedness; the idea of authorship; the relationship between the intellectual elite and the state and other political authorities and institutions; the development of the family; gender dichotomy; and, the early formation of an educated, urban middle class. In an introduction and twenty-seven essays on specific but broadly-based topics of seminal importance to the period, written by leading specialists from North America, the United Kingdom, and Germany, this pathbreaking volume reflects this state-of-the-art research.Contributors include: Klaus Garber, Graeme Dunphy, Renate Born, Stephan Fussel, Scott Dixon, Wilhelm Kuhlmann, Max Reinhart, Joachim Knape, Hans-Gert Roloff, Erika Rummel, John Alexander, Peter Hess, Andreas Solbach, Peter Daly, Helen Watanabe-O'kelly, Jill Bepler, Gerhart Hoffmeister, Steven Saunders, Jeffrey Chipps Smith, Wolfgang Neuber, Gerhild Scholz Williams, Anna Carrdus, John L. Flood, Laurel Carrington, Theodor Verweyen, and John Roger Paas. Max Reinhart is professor of German at the University of Georgia.
(source: Nielsen Book Data)

The High Middle Ages, and particularly the period from 1180 to 1230, saw the beginnings of a vibrant literary culture in the German vernacular. While significant literary achievements in German had already been made in earlier centuries, they were a somewhat precarious vernacular extension of Christian Latin culture. But the vernacular literary culture of the High Middle Ages was an integral part of broader cultural developments in which the unquestioned validity of traditional authoritative models began to lose its hold. A secular culture began to emerge in which positive value began to be attached to the - however transitory - allegiances, pleasures, and loves of life. In new essays dealing with the most significant literary genres (the heroic epics, the romances, the love lyrics, and political poetry) and with broader political, social, and cultural issues (control of aggression, territorialization), this third volume of the Camden House History of German Literature demonstrates how the emergence of a vernacular literary culture in Germany was an important part of a broader cultural transformation in which medieval people began to redefine themselves, their relationships to one another, and the position of humanity in the scheme of things. Contributors: Albrecht Classen, Nicola McLelland, Rodney Fisher, Neil Thomas, Marion Gibbs and Sidney Johnson, Rudiger Krohn, Will Hasty, Nigel Harris, Susann Samples, Sara Poor, Michael Resler, Rudiger Brandt, Elizabeth A. Andersen, Ulrich Muller and Franz Viktor Spechtler, Ruth Weichselbaumer, W. H. Jackson, Charles Bowlus. Will Hasty is Professor of German Studies and co-founder and co-director of the Center for Medieval and Early Modern Studies at the University of Florida.
(source: Nielsen Book Data)