"Brilliant, heartbreaking, tender, and highly original - poet Ocean Vuong's debut novel is a sweeping and shattering portrait of a family, and a testament to the redemptive power of storytelling. On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born--a history whose epicenter is rooted in Vietnam--and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity"-- Provided by publisher.

• The curse
• The querent
• The writing life
• 1989
• Girl
• After Peter
• My parade
• Mr. and Mrs. B
• 100 things about writing a novel
• The rosary
• Inheritance
• Impostor
• The autobiography of my novel
• The guardians
• How to write an autobiographical novel
• On becoming an American writer.

"From the author of The Queen of the Night, an essay collection exploring how we form our identities in life, in politics, and in art"-- Provided by publisher.
"...How to Write an Autobiographical Novel is the author's manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation's history, including his father's death, the AIDS crisis, 9/11, the jobs that supported his writing--Tarot-reading, bookselling, cater-waiting for William F. Buckley--the writing of his first novel, Edinburgh, and the election of Donald Trump."--Front flip cover.

"[He] came to us through an advertisement that I had in desperation put in the newspaper. It began captivatingly for those days: 'Two American ladies wish...' " It was these lines in The Alice B. Toklas Cookbook that inspired The Book of Salt, a brilliant first novel by a talented young Vietnamese American writer about the taste of exile. Paris, 1934, 'Thin Bin', as they call him, has accompanied his employers, Gertrude Stein and Alice B. Toklas, to the station for their departure to America. His own destination is unclear: will he go with 'the Steins', stay in France, or return to his native Vietnam? Binh fled his homeland in disgrace, leaving behind his malevolent charlatan of a father and his self-sacrificing mother. For five years, he has been the personal cook at the famous apartment on the rue de Fleurus. Before Binh's decision is revealed, we are catapulted back to his youth in French-colonized Indo China, where he learned to cook in the embassy kitchens, his years as a galley hand at sea, and his days turning out fragrant repasts for the doyennes of the Lost Generation. Binh knows far more than what the Steins eat: he knows their routines and intimacies, their food and follies. With wry insight, we see Stein and Toklas ensconced in rueful domesticity. But is Binh's account reliable? A lost soul, he is a late-night habitue of the Paris demi-monde, an exile and an alien, a man of musings, memories, and possibly lies, susceptible to drink and occasional self-mutilation with a kitchen knife...Love is the prize that has eluded him, from his family to the men he has sought out in his farflung journeys, often at his peril and more recently with risk to Stein's manuscript notebooks. Intricate, compelling, and witty, the novel weaves in historical characters, from Stein and Toklas to Paul Robeson and Ho Chi Minh, with remarkable originality. Tastes, oceans, sweat, tears -- The Book of Salt is an inspired novel about food and exile, love and betrayal.
(source: Nielsen Book Data)

"As a child, Fee is a gifted Korean-American soprano in a boys' choir in Maine. Silent after being abused by the director, he is unable to warn the other boys or protect his best friend, Peter, from the director's advances. Even after the director is imprisoned, Fee continues to believe he is responsible, and while he survives to adulthood, his friends do not. In the years that follow, he struggles to bury his guilt and grief, until he meets a beautiful young student who resembles Peter, and he is forced to confront the demons of his brutal past."--Back cover