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"Dialect, Voice, and Identity in Chinese Translation is the first book-length attempt to undertake a descriptive investigation of how dialect in British and American novels and dramas are translated into Chinese. Dialect plays an essential role in creating a voice of difference for the regional, social or ethnic Others in English fiction. Translating dialect involves not only the textual representation of a different voice with target linguistic resources, but also the reconstruction of various cultural, social, and ethnic identities and relations on the target side. This book provides a descriptive study of 277 Chinese translations published from 1931 to 2020 for three fictions-The Adventures of Huckleberry Finn, Tess of the d'Urbervilles, and Pygmalion-with a special focus on how the Dorset dialect, African American Vernacular English, and cockney in them are translated in the past century in China. It provides a comprehensive description of the techniques, strategies, tendencies, norms and universals as well as diachronic changes and stylistic evolutions of the language used in dialect translation into Chinese. An interdisciplinary perspective is adopted to conduct three case studies of each fiction to explore the negotiation, reformulation, and reconstruction via dialect translation of the identities for Others and Us and their relations in the Chinese context. This book is intended to act as a useful reference for scholars, teachers, translators, and graduate students from disciplines such as translation, sociolinguistics, literary and cultural studies, and anyone who shows interest in dialect translation, the translation of American and British literature, Chinese language and literature, identity studies, and cross-cultural studies"-- Provided by publisher.

• The birth of a poet, 1809-1831
• The switch to prose, 1831-1837
• The life of an unemployed magazinist in Jacksonian America, 1837-1839
• The Philadelphia literary scene, 1839-1842
• Phantasy-pieces, 1842-1844
• The Broadway Journal, 1845
• Downbound train, 1846-1849.

This volume covers the works, career, and life of Edgar Allen Poe.

• Life and mythmaking
• Essential Thoreau
• Contexts : antebellum America, Transcendentalism, Emerson
• The writer
• The turn to science
• The political Thoreau
• Matters of faith.

• Introduction : the contemporary state of American literature
• Literary gems and the logic of the text
• Tyche in text and analysis
• Phantasm and logic
• Metaphoric truth, imaginary fiction, letter jouissance, and nomination
• Metaphor, the censorship bar, metonymic desire, and nomination.

"Lacanian Psychoanalysis and American Literature considers the psychoanalytic applications of three classic works of nineteenth century literature, applying Lacanian concepts throughout. Moncayo imports the dynamisms and texture of three English and American stories with the aim of developing psychoanalytic theory, rather than simply confirming or applying previously adopted psychoanalytic concepts and theory. The author begins with The Purloined Letter by Edgar Allan Poe, assessing the differences between Derrida and Lacan's analysis of this famous story. The book then considers The Turn of the Screw by Henry James, using James' text for an in-depth analysis of Lacan's Seminar on the Logic of the Fantasy, and Wuthering Heights by Emily Brontë, considering 'passage à l'acte,' and the object a as the Wind and Heart of the Signifier. The authors use Lacan's later theories to case a new interpretative light on the stories, much as Lacan himself did with the work of James Joyce. Lacanian Psychoanalysis and American Literature will be of interest to academics and scholars of literary studies, psychoanalytic and Lacanian studies and Philosophy"-- Provided by publisher.

• Ecologies of exception: gender, race, and the eco-imperial imaginary in Caribbean and American literature and culture
• Ecologies of racism: a genealogy of Black feminisms in American slavery
• Nomadic ecologies, race and female masculinities: Willa Cather's conflicted land ethics in O pioneers!
• Errand of American expansionism: the intersections of violence, women's bodies, and natural space in the novels of Edwidge Danticat
• 'Pecola and the unyielding earth': exclusionary cartographies, transgenerational trauma, and racialized dispossession in The bluest eye
• 'A hurricane ravaging the island': an examination of Blackness, witchcraft, and feminist alterity in Maryse Condé's I, Tituba, Black witch of Salem
• Mapping the counter-errand: feminist agential ecologies in Linda Hogan's Solar storms.

"This book synthesizes ecofeminist theory, American studies, and postcolonial theory to interrogate what New Americanist William V. Spanos articulates as the "errand into the wilderness": the ethic of Puritanical expansionism at the heart of US empire that moved westward under Manifest Destiny to colonize Native Americans, non-whites, women, and the land. The project explores how the legacy of the errand has been articulated by women writers, from the slave narrative to contemporary fiction. Uniting texts across geographical and temporal boundaries, the book constructs a theoretical approach for reading and understanding how women authors craft counter-narratives at the intersection of metaphorical and literal landscapes of colonization. It focuses on literature from the United States and the Caribbean, including the slave narratives by Sojourner Truth, Harriet E. Wilson, and Harriet Jacobs, and contemporary work by Toni Morrison, Maryse Condè, Edwidge Danticat, and Native American writer Linda Hogan. It charts the contrast between America's earliest idyllic visions and the subsequent reality: an era of unprecedented violence against women of color and the environment. This study of many canonical writers presents an important and illuminating analysis of American mythologies that continue to impact the cultural landscape today. It will be a significant discussion text for students, scholars and researchers in environmental humanities, ecofeminism, and postcolonial studies"-- Provided by publisher.

"This book examines the representation of child sexual abuse in five American novels written from 1850 to the present. The historical range of the novels shows that child sexual abuse is not a new problem, although it has been called by other names in other eras. The introduction explains what literature and literary criticism bring to persistent questions that arise when children are sexually abused. Psychoanalytic concepts developed by Freud, Ferenczi, Kohut, and Lacan inform readings of the novels. Theories of trauma, shame, psychosis, and perversion provide insights into the characters represented in the stories. Each chapter is guided by a difficult question that has arisen from real-life situations of child sexual abuse. Legal and therapeutic interventions respond with their disciplinary resources to these questions as they concern victims, perpetrators, and witnesses. Literary criticism offers another analytic framework that can significantly inform those responses"-- Provided by publisher.

Offering an insightful examination of Stephen King's fiction, this book utilises a psychoanalytical approach drawing on Freud's theory of the uncanny. It demonstrates how entrenched King's work is in a literary tradition influenced by psychoanalytic theory, as well as the ways that King evades and amends Freud. Such an approach positions King's texts not simply as objects of interpretation that might yield latent meaning, but as producers of meaning. King can certainly be read through the lens of the uncanny, but this book also aims to consider the uncanny through the lens of King. Organised around specific elements of the uncanny that can be found in King's fiction, this book explores the themes of death and the return of the dead, monstrosity, telepathy, inanimate objects becoming menacingly animate, and spooky children. Popular texts are considered, such as IT, The Shining, and Pet Sematary, as well as less discussed work, including The Institute, The Regulators and Desperation. The book's central argument is that King's uncanny motifs offer insightful commentary on what is repressed in contemporary culture and insist on the failure of scientific rationalism to explain the world. King's uncanny imaginary rejects dualistic notions of an experiencing self in an inert physical world and insists that psychic experience is bound up with the environmental. This book will be of interest to students and scholars of contemporary and popular literature, gothic and horror studies, and cultural studies.

• Intro
• Table of Contents
• Acknowledgments
• Introduction
• 1. Contemporary Fiction in Reverse
• 2. The Making of the Greatest Generation
• 3. Colson Whitehead's History of the United States
• 4. Reading the Family Tree
• 5. The Rise of the Recent Historical Novel
• Coda: Excavating the Present
• Notes
• Works Cited
• Index

"The Dönme sect--a group of Jewish-Islamic adherents with ancient roots--lives in an isolated community on rural land outside of smalltown Mt. Izmir, Ohio. Self-sustaining, deeply-religious, and heavily-armed, they have followed their self-proclaimed prophet, Natan of Flatbush, from Brooklyn to this new land. But the brutal murder of Natan's teenage son throws their tight community into turmoil. When Zeke Leger, a thirty-year-old writer at a national magazine, arrives from New York for the funeral of a friend, he becomes intrigued by the case, and begins to report on the murder. His college girlfriend Johanna Franklin prosecuted the case, and believes it is closed. Before he knows it, Zeke becomes entangled in the conflict between the Dönme, suspicious local citizens, Johanna, and the law--with dangerous implications for his body and his soul"-- Provided by publisher

Abeni, a reluctant magical apprentice, and a team of spirit kids set out to save their village from the evil Witch Priest who captured and marched off everyone toward ghost ships bound for distant lands.
On the day of the Harvest Festival, the old woman who lives in the forest appears in Abeni's village with a terrible message: You ignored my warnings. It's too late to run. They are coming. Warriors with burning blades storm the village. A man with a cursed flute plays an impossibly alluring song. And everyone Abeni has ever known and loved is captured and marched toward far-off ghost ships set for even more distant lands. But not Abeni. Abeni is magically whisked away by the old woman. In the forest, Abeni begins her unwanted magical apprenticeship, her journey to escape the witch, and her impossible mission to bring her people home.

""I was a writer, but not the writer I needed to be. For that I had to become a different person," Robert Glück, widely acclaimed as a novelist and as a theorist of "the new narrative," recently told the Paris Review, in which a section of About Ed has appeared. About Ed is Glück's portrait of the artist Ed Aulerich-Sugai, his sometime lover, met in the seventies in San Francisco, when gay life emerged unabashedly from the closet. "I wanted to find in Ed something to latch on to that was outside my egotism and fear, my threadbare relation to the world-a leap through Ed into lyric time," Glück has said, and in this book that is both "a novel and my version of an AIDS memoir" he wanted to capture the full range of his feelings for Ed: "estranged from Ed, bored by him, moved by him." It is a book about the life they lived together-art and writing and family and sex and death-and, composed over many decades, it is also a book about how the past continues to change in memory and to charge the present. "What is the right question to ask about a life?" Glück asks, describing About Ed as a "collaborative project," since "Ed helped me write this book." Ed gave him "notes to fashion a chapter about the day he was diagnosed so I could describe his experience from the inside," and "after Ed died, Daniel, Ed's partner, lent me Ed's dream journals.... He started writing them in 1970, the year that we met. We both used his journals, not as puzzles to solve the truth of a self but as a commons producing images that we harvested for paintings and poems. And fifty years later, there I was reading and copying out and running away from his dreams. Are they a condensed version of Ed? Shorthand? Distillation? Is he knowable and unknowable in the same degree sleeping or waking?" About Ed is a challenging and beautiful book by one of America's finest and most adventurous writers"-- Provided by publisher.

Clint Smith's vibrant and compelling new collection traverses the vast emotional terrain of fatherhood, and explores how becoming a parent has recalibrated his sense of the world. There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew through the eyes of your children, as they discover it for the first time. There are poems that meditate on what it means to raise a family in a world filled with constant social and political tumult. Above Ground wrestles with how we hold wonder and despair in the same hands, how we carry intimate moments of joy and a collective sense of mourning in the same body. Smith's lyrical, narrative poems bring the reader on a journey not only through the early years of his children's lives, but through the changing world in which they are growing up--through the changing world of which we are all a part

"This Norton Critical Edition of Absalom, Absalom! features the authoritative 1986 edition of William Faulkner's experimental Southern Gothic novel published by Random House, Inc. Originally published in 1936, Absalom, Absalom! examines Southern and Caribbean plantation history through the life course of Thomas Sutpen and his Black and white family members before, during, and after the American Civil War, as imagined by four narrators in 1909-1910. "Backgrounds and Contexts" highlights contemporary reception of the novel, Faulkner's early versions of the saga, and his own commentary upon it. The "Historical Contexts" section provides readers with essential information on race and class relations in the story's locales (Mississippi, Haiti, Virginia and New Orleans), Chickasaw dispossession, the Civil War home front, as well as on how the plantation past was memorialized. In the "Criticism" section, scholars share analyses which examine questions of narrative method and media, as well as themes of race, gender, sexuality, illness, geography and capitalism in the text. A selected biography and chronology are also included"-- Provided by publisher

• Machine generated contents note: Acknowledgments
• Introduction: The 500-pound gorilla
• The dream and the deed
• Reading Ashbery reading Ashbery
• Poetry in the teaching machine
• Citational coding
• Archival authorizations
• Coda: Towards an aesthetics of disciplinarity

"The surprising story of the relationship between experimental poetry and literary studies.In The Academic Avant-Garde, Kimberly Quiogue Andrews makes a provocative case for the radical poetic possibilities of the work of literary scholarship and lays out a foundational theory of literary production in the context of the university. In her examination of the cross-pollination between the analytic humanities and the craft of poetry writing, Andrews tells a bold story about some of today's most innovative literary works. This pathbreaking intervention into contemporary American literature and higher education demonstrates that experimental poetry not only reflects nuanced concern about creative writing as a discipline, but also uses the critical techniques of scholarship as a cornerstone of poetic practice. Structured around the concepts of academic labor (such as teaching) and methodological work (such as theorizing), Andrews traces these practices in the works of authors ranging from Claudia Rankine to John Ashbery, providing fresh readings of some of our era's most celebrated and difficult poets. Throughout, Andrews builds upon recent interest in the institutional contexts of cultural production to outline a rich and far-reaching poetic engagement with academic discourse, demonstrating that poetry is at its most poetic when it is critical-and that criticism, thus, contains a type of poetry. From this dialectical (and sometimes polemical) standpoint, The Academic Avant-Garde reframes major characteristics of contemporary experimental literature, opens up new ways of thinking about the relationship between creative writing and literary study, and expands the horizon of possibility for engaging with and teaching the history of poetry"-- Provided by publisher