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• Introduction
• 1. The Critical Backstory
• 2. Performance History
• 3. Current Critical Research: The State of the Art
• 4. New Directions: The Madcap and Politic Prince of Wales: Ceremony and Courtly Performance in Henry IV
• 5. New Directions: 'The Devil Take Such Cozeners!': Radical Shakespeare in 1 Henry IV
• 6. New Directions: Falstaffian 'Gross Indecorum', 'Contrarietie', and Arrested Prodigality: Anachronism and Colliding Generational Sensibilities in 1 Henry IV
• 7. New Directions: 'By Shrewsbury Clock': The Time of Day and the Death of Hotspur in 1 Henry IV
• 8. A Survey of Resources.

This is an introduction to Shakespeare's "I Henry IV" - introducing its critical and performance history, current critical landscape and new directions in research on the play. "I Henry IV" has always been one of Shakespeare's most popular plays and this critical guide offers a comprehensive guide to the wide range of criticism on the play and its central figures, including Falstaff. It introduces the play's critical and performance history, including notable stage productions alongside TV, film and radio versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research. "Continuum Renaissance Drama" offers practical and accessible introductions to the critical and performative contexts of key Elizabethan and Jacobean plays. Each guide introduces the text's critical and performance history but also provides students with an invaluable insight into the landscape of current scholarly research through a keynote essay on the state of the art and newly commissioned essays of fresh research from different critical perspectives.
(source: Nielsen Book Data)

• Christie, A. Ten little Indians.--Hayes, J. The desperate hours.--Roffey, J. Hostile witness.--Chodorov, E. Kind lady.--Archibald, W. The innocents.--Williams, E. Night must fall.--Priestly, J. B. An inspector calls.--Job, T. Uncle Harry.--Percy, E. and Denham, R. Ladies in retirement.--Cohan, G. M. Seven keys to Baldpate.

One man's spiritual journey is about to begin... after he's sent this tweet When Yasser decides to take part in itikaf, sleeping and fasting in the mosque for the last ten nights of Ramadan, he soon regrets his decision. But as he navigates smug worshippers, shared bathrooms, and recurring thoughts of chunky chips, Yasser's isolation forces him to confront a side of himself he's been trying to keep hidden. A moving and funny new play by Shahid Iqbal Khan, 10 Nights is the story of one man's journey of self-discovery and facing the consequences of your actions.
(source: Nielsen Book Data)

"A "downright brilliant" ( The New York Times) comedy by one of American theater's most original new voices"-- Provided by publisher
"Ladies and gentlemen, welcome to tech. Around you, a company of fourteen is engaged in a very peculiar -- and particularly impossible -- task of making a new play. You'll have a seat next to the sound designer as he mixes cues. You'll eavesdrop on backstage gossip as it happens over headset. You'll watch the director struggle to contain the uncontainable. Anne Washburn (Mr. Burns) took notes during her tech rehersals over the years. 10 out of 12 is a wry and absorbing look at how work forms us and deforms us."-- Back cover

• Melody
• Stephanie
• Dodie
• Professor Minaccia
• Anne
• Adele
• Kassandra
• Barbara
• Ichiko
• Ardell.

• 1. Caroline Clive, Paul Ferroll (1855), Adrienne E. Gavin.- 2. Wilkie Collins, The Woman in White (1860), Adrienne E. Gavin.- 3. Mrs Henry Wood, East Lynne (1861), Anne-Marie Beller.- 4. Mary Elizabeth Braddon, Lady Audley's Secret (1862), Adrienne E. Gavin.- 5. Arthur Conan Doyle, A Study in Scarlet (1887), Anne-Marie Beller.- 6. George R. Sims, The Case of George Candlemas (1890), Esme Miskimmin.- 7. C. L. Pirkis, 'Loveday Brook' stories (1893), Adrienne E. Gavin.- 8. Arthur Morrison, 'Martin Hewitt' stories (1894), Nick Freeman.- 9. E. Phillips Oppenheim, The Mysterious Mr Sabin (1898), Alexandra Phillips.- 10. E. W. Hornung The Amateur Cracksman (1899).- 11. Baroness Orczy, 'The Old Man in the Corner' stories (1901), Suzanne Bray.- 12. Erskine Childers, The Riddle of the Sands (1903), Christopher Routledge.- 13. Edgar Wallace, The Four Just Men (1905), Stephen Knight.- 14. R. Austin Freeman, The Red Thumb Mark (1907), Nick Freeman.- 15. G. K. Chesterton, The Man Who Was Thursday (1908), Christopher Routledge.- 16. Edwy Searles Brooks, 'Sexton Blake' stories (1912), Lucy Andrew.- 17. Sax Rohmer, 'Fu Manchu' stories (1912), Steven Powell.- 18. E. C. Bentley, Trent's Last Case (1913), Suzanne Bray.- 19. Ernest Bramah, Max Carrados (1914), Nick Freeman.- 20. John William Bobin, Sexton Blake Library (1915), Lucy Andrew.- 21. John Buchan, The Thirty-Nine Steps (1915), Alexandra Phillips.- 22. H. C. Bailey, Call Mr Fortune (1920), Megan Hoffman.- 23. Agatha Christie, The Mysterious Affair at Styles (US 1920
• UK 1921), Delphine Cingal.- 24. Freeman Wills Crofts, The Cask (1920), Diana Powell.- 25. H. C. McNeile, (a.k.a. Sapper) Bulldog Drummond (1920), Alexandra Phillips.- 26 and 27. G. D. H. Cole and Margaret Cole, The Brooklyn Murders (1923), Victoria Stewart.- 28. Dorothy L. Sayers, Whose Body? (1923), Esme Miskimmin.- 29. Patricia Wentworth, The Astonishing Case of Jane Smith (1923), Delphine Cingal.- 30. Philip MacDonald, The Rasp (1924), Alexandra Phillips.- 31. Anthony Berkeley, The Layton Court Mystery (1925), Christine R. Simpson.- 32. Margery Allingham, The White Cottage Mystery (1928), Jasmine Simeone.- 33. Graham Greene, The Man Within (1929), Steven Powell.- 34. Gladys Mitchell, Speedy Death (1929), Christine R. Simpson.- 35. Josephine Tey, The Man in the Queue (1929), Christine R. Simpson.- 36. Elizabeth Ferrars, Turn Single (1932), Victoria Stewart.- 37. Georgette Heyer, Footsteps in the Dark (1932), Greg Rees.- 38. C. P. Snow, Death Under Sail (1932), Christine R. Simpson.- 39. Ngaio Marsh, A Man Lay Dead (1934), Kate Watson.- 40. Eric Ambler, The Dark Frontier (1935), Steven Powell.- 41. Nicholas Blake, A Question of Proof (1935), Esme Miskimmin.- 42. Daphne du Maurier, Jamaica Inn (1936), Megan Hoffman.- 43. Michael Innes, Death at the President's Lodging (1936), Christopher Routledge.- 44. John Creasey, Meet the Baron (1937), Martin Lightening.- 45. Francis Durbridge, Send for Paul Temple (1938), Victoria Stewart.- 46. Enid Blyton, Five on a Treasure Island (1942), Lucy Andrew.- 47. Edmund Crispin, The Case of the Gilded Fly (1944), Malcah Effron.- 48. Julian Symons, The Immaterial Murder Case (1945), Christopher Routledge.- 49. Michael Gilbert, Close Quarters (1947), Christopher Routledge.- 50. Ellis Peters, Fallen into the Pit (1951), Suzanne Bray.- 51. Ian Fleming, Casino Royale (1953), Christopher Routledge.- 52. H. R. F. Keating, Death and the Visiting Firemen (1959), Christopher Routledge.- 53. John Le Carre, A Call For the Dead (1961), Steven Powell.- 54. Dick Francis, Dead Cert (1962), Malcah Effron.- 55. P. D. James, Cover Her Face (1962).- 56. Simon Nash, Dead of a Counterplot (1962), Delphine Cingal.- 57. Peter O'Donnell, Modesty Blaise (1963), Esme Miskimmin.- 58. Joyce Porter, Dover One (1964), Heather Worthington.- 59. Ruth Rendell, From Doon with Death (1964), Anne-Marie Beller.- 60. Catherine Aird, The Religious Body (1966), Jasmine Simeone.- 61. Reginald Hill, A Clubbable Woman (1970), Malcah Effron.- 62. Frederick Forsyth, The Day of the Jackal (1971), Christopher Routledge.- 63. Robert Barnard, Death of an Old Goat (1974), Stephen Knight.- 64. Simon Brett, Cast, In Order Of Disappearance (1975), Jasmine Simeone.- 65. Colin Dexter, Last Bus to Woodstock (1975), Susan Massey.- 66. John Mortimer, Rumpole of the Bailey (1975), Diana Powell.- 67. John Harvey, Amphetamines and Pearls (1976), Delphine Cingal.- 68. Antonia Fraser, Quiet as a Nun (1977), Suzanne Bray.- 69. Anne Perry, The Cater Street Hangman (1979), Delphine Cingal.- 70. Dorothy Simpson, The Night She Died (1981), Christine R. Simpson.- 71. Linda La Plante, Widows (1983), Anne-Marie Beller.- 72. R. D. Wingfield, Frost at Christmas (1984), Steven Powell.- 73. Bill James, You'd Better Believe It (1985), Catherine Phelps.- 74. Anthony Horowitz, The Falcon's Malteser (1986), Lucy Andrew.- 75. Val McDermid, Report for Murder (1987), Susan Massey.- 76. Ian Rankin, Knots and Crosses (1987), Christopher Routledge.- 77. Peter Robinson, Gallows View (1987), Greg Rees.- 78. Lindsey Davis, The Silver Pigs (1989), Heather Worthington.- 79. Martin Edwards, All the Lonely People (1991), Christine R. Simpson.- 80. D. M. Greenwood, Clerical Errors (1991), Suzanne Bray.- 81. Patricia Hall, The Poison Pool (1991), Steven Powell.- 82. Martina Cole, Dangerous Lady (1992), Esme Miskimmin.- 83. Minette Walters, The Ice House (1992), Heather Worthington.- 84. Malcolm Rose, The Smoking Gun (1993), Lucy Andrew.- 85. Veronica Stallwood, Death and the Oxford Box (1993), Megan Hoffman.- 86. Stella Duffy, Calendar Girl (1994), Susan Massey.- 87. Alison Taylor, Simeon's Bride (1995), Catherine Phelps.- 88. Christopher Brookmyre, Quite Ugly One Morning (1996), Christopher Routledge.- 89. Susanna Gregory, A Plague on Both Your Houses (1996), Steven Powell.- 90. Denise Mina, Garnethill (1998), Esme Miskimmin.- 91. Alexander McCall Smith, The No. 1 Ladies' Detective Agency (1999), Susan Massey.- 92. John Williams, Five Pubs, Two Bars and a Nightclub (1999), Catherine Phelps.- 93. Malcolm Pryce, Aberystwyth Mon Amour (2001), Catherine Phelps.- 94. Lindsay Ashford, Frozen (2003), Catherine Phelps.- 95. Justin Richards, The Paranormal Puppet Show (2003), Lucy Andrew.- 96. Adrian McKinty, Dead I May Well Be (2003), Gerard Brennan.- 97. C. J. Sansom, 2003: Dissolution (2003), Martin Lightening.- 98. Brian McGilloway, 2007: Borderlands (2007), Gerard Brennan.- 99. Stuart Neville, The Twelve (2010), Steven Powell.- 100. Gerard Brennan, The Point (2011), Esme Miskimmin.
• (source: Nielsen Book Data)

100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: 'The Victorians, Edwardians, and World War One, 1855-1918'; 'The Golden Age and World War Two, 1919-1945'; 'Post-War and Cold War, 1946-1989'; and 'To the Millennium and Beyond, 1990-2015', each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.
(source: Nielsen Book Data)

"For 100 days, Juliane Okot Bitek recorded the lingering nightmare of the Rwandan genocide in a poem--each poem recalling the senseless loss of life and of innocence. Okot Bitek draws on her own family's experience of displacement under the regime of Idi Amin, pulling in fragments of the poetic traditions she encounters along the way: the Ugandan Acholi oral tradition of her father--the poet Okot p'Bitek; Anglican hymns; the rhythms and sounds of slave songs from the Americas; and the beat of spoken word and hip-hop. 100 Days is a collection of poetry that will stop you in your tracks."-- Provided by publisher.

100 days...100 days that should not have been...100 days the world could have stopped. But did not. For 100 days, Juliane Okot Bitek recorded the lingering nightmare of the Rwandan genocide in a poem-each poem recalling the senseless loss of life and of innocence. Okot Bitek draws on her own family's experience of displacement under the regime of Idi Amin, pulling in fragments of the poetic traditions she encounters along the way: the Ugandan Acholi oral tradition of her father-the poet Okot p'Bitek; Anglican hymns; the rhythms and sounds of the African American Spiritual tradition; and the beat of spoken word and hip-hop. 100 Days is a collection of poetry that will stop you in your tracks. It was the earth that betrayed us first it was the earth that held onto its beauty compelling us to return it was the breezes that were there & then not there it was the sun that rose & fell rose & fell as if there was nothing different as if nothing changed.
(source: Nielsen Book Data)