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• David Abel
• Maryrose Larkin
• Jen Coleman
• Robert Schlegel
• Jim Neidhardt
• Anna Daedalus
• Robert Tomlinson
• Kerry Davis
• Standard Schaefer
• Endi Bogue Hartigan
• James Yeary.

Has architectural theory become a historical phenomenon to be anthologized and studied as another passing phase in the history of the discipline? Do the current commonplace watchwords of "practice" and "research" mark the end of theory's place in architectural discourse? This edited volume posits the contrary-that theory remains urgent and even unavoidable, so ingrained in architectural practice and pedagogy that it remains a vital if sometimes latent influence. Architectural theory is not confined to its supposed heyday in the decades leading up to the year 2000; it has persisted and expanded as the stakes of theoretical discussions have transformed. 2000+: The Urgencies of Architectural Theory collects new essays from a range of the most compelling architectural historians and theorists of the moment, including Lucia Allais, Beatriz Colomina, Mark Cousins, Arindam Dutta, John Harwood, Catherine Ingraham, Mark Jarzombek, Mari Lending, Spyros Papapetros, Felicity Scott, Pelin Tan, Bernard Tschumi, Eyal Weizman, Mark Wigley, and Mabel Wilson. Brought together for a conference marking the end of Wigley's tenure as dean of Columbia University's Graduate School of Architecture, Planning and Preservation, these thinkers chart new directions and points of critical importance for theory in architecture.
(source: Nielsen Book Data)

Eine zentrale Aufgabe des 21er Haus ist das Sammeln, Erhalten, Aufarbeiten und nicht zuletzt das Ausstellen zeitgenössischer österreichischer Kunst im internationalen Kontext. Flirting with Strangers Arbeiten von über hundert Künstlerinnen und Künstlern in einer Schau, die versucht das Format der Sammlungspräsentation einmal anders zu denken: Sie geht bewusst ahistorisch und unabhängig von Stilgeschichten vor, hebt manches Mal scheinbare Nebensächlichkeiten, möglicherweise auch weit hergeholte Ähnlichkeiten heraus mit der Absicht, das Detail des Einzelnen in den Blick zu nehmen und unvermutete Beziehungen zwischen den Dingen zumindest in den Raum zu stellen. Exhibition: 21er Haus, Wien, Österreich (09.09.2015 - 31.01.2016).

• Introduction
• Stéphane Tarroux
• Pt. 1. Alain Campos
• Peindre pour peindre des visions
• Philippe Saulle
• Œuvres exposées
• Biographie et expositions
• Pt. 2. Aroldo Governatori
• Du visuel à la vision
• Stéphane Tarroux
• Œuvres exposées
• Biographie et expositions
• Pt. 3. Nissrine Seffar
• D'un avant, quelque chose d'autre
• Sylvie Lagier
• Œuvres exposées
• Biographie et expositions
• Pt. 4. Zhang Hong Mei
• Nouveau Millénaire, frontières ouvertes et plus encore
• Luisa Cardenas
• Œuvres exposées
• Biographie et expositions.

51N4E is a Brussels-based architectural practice led by Johan Anrys, Freek Persyn and Peter Swinnen. Founded in 1998, it has drawn increasing attention and renown through projects for the C-mine cultural centre in Genk, the Groeningemuseum and the TID Tower and Skanderbeg Square both in Tirana, Albania. This book, accompanying an exhibition on the practice at the Architectural Association, features these and 17 other projects alongside essays by Lars Lerup, Dominique Boudet and Stefan Devoldere.
(source: Nielsen Book Data)

• Introduction: G.J. Hoogewerff, explorer in art history / Wessel Krul
• The reception of Hoogewerff's "De Noord-Nederlandsche Schilderkunst" / Kees van der Ploeg
• The medieval mural paintings in the Dutch Reformed Church at Britsum : a reflection of Frisian Crusade participation / Emanuel S. Klinkenberg
• Art and archives, clerics and counts : new insights on the crucifixion mural in the Utrecht burial chapel of Guy of Avesnes / Ane-Maria J. van Egmont
• A note on the unfortunate Lords of Montfoort / Indra Kneepkens and Arie Wallert
• the instructions in the Bethlehem Plenary and its production process / Susan Suèr
• Genesis jumbled : the creation miniatures in Maerlant's Rijmbijbel in the Museum Meermanno in the Hague / Wendelien A.W. van Welie-Vink
• Michiel van der Borch : discerning fact from fable / Claudine A. Chavannes-Mazel
• Armorials, heralds and heraldry around 1400 : the importance of the manuscript and the cultural-historical context / Wim van Anrooij
• Presentio, imitatio, innovatio : the imitation and correction fo a corrupt pictorial tradition by the Masters of Zweder van Culemborg / Miranda Bloem
• The "Cinderella" of the arts : the study of architectural sculpture up to 1420 from G.J. Hoogewerff's time to the present / Elizabeth den Hartog
• A voice from the grave : the tomb of Guy of Avesnes in Saint-Martin's Cathedral in Utrecht / Sanne Frequin
• Duke Charles of Guelders and the "Restoration" of the tomb monument of Gerard IV and Margaret in the Roermond Minster / Jitske Jasperse
• Epilogue : After Hoogewerff / Claudine A. Chavannes-Mazel.

Fifty years after his death (25 March 1963) and 75 years following the publication of De Noord-Nederlandsche Schilderkunst, G.J. Hoogewerff's comprehensive five-volume study on early painting in the Northern Netherlands serves as a starting point for exciting new research by Dutch art historians. In this book, based on the Proceedings of the Congress '75 years after Hoogewerff', renowned and promising scholars comment on the value of Hoogewerff's work, his academic choices, and the role his research has played in art history from the twentieth century to the present day. New perspectives on medieval Dutch painting, sculpture, and book illumination will entice and fascinate the reader. Dutch medieval art, we now know, cannot be accurately studied without considering the functional environment, the artistic exchange among diverse media and disciplines, and the larger context of European culture as a whole.