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• The seventies: not quite the sixties / Steven Heller
• Alcohol & tobacco
• Automobiles
• Business & industry
• Consumer products
• Entertainment
• Fashion & beauty
• Food & beverage
• Interiors
• Travel

"Advertising for the Me Generation. Zoom back in time to the 1970s! See original print ads for cars, travel, technology, food, liquor, cigarettes, movies, appliances, furniture, defense, transportation, you name it--all digitally mastered to look as bright and colorful as they did on the day they first hit the newsstands."--Page [4] of jacket

• Alfred Wallis: 'over the jasper sea' / Andrew Wilson
• Grey book
• Lion book
• Castle book.

These sketchbooks have an extraordinary story behind them, created as they were in 1942, Alfred Wallis?s final year, when he lived in the Penzance poorhouse. They shine new light on his contribution to the development of modern art in Britain.00A Cornish mariner and scrap metal dealer, he was self-taught and started to paint in around 1925 following the death of his wife three years earlier. A potent influence in the late 1920s for artists Winifred and Ben Nicholson and Christopher Wood, his simple and direct style communicated a truth of experience that also came to personify the overriding character of St Ives as an art community that valued his authenticity of expression. The legacy of his art continues to inspire artists today.00This book brings together the contents of three sketchbooks that Wallis filled with drawings. With an introduction by curator Andrew Wilson, it offers a remarkable insight into Wallis?s art of memory made tangible.

• Willy Wilkerson : from rationing to prosperity, American life in the 1940s
• Von der Rationierung zum Wohlstand : der amerikanische Lebensstil in den Vierzigern
• Du rationnement a la prosperite, la vie americaine dans les annees
• Alcohol and tobacco
• Automobiles
• Consumer products
• Entertainment
• Fashion and beauty
• Food and beverage
• Industry
• Interiors
• Travel
• World War II.

• Introduction: What Do We Talk About When We Talk About Anime?
• 1. Kid Deko's New Picture Book: Early Cartoons in Japan 1912-21
• 2. The Film Factories: Animation Technique and Technology 1921-37
• 3. The Shadow Staff: Japanese Animation at War 1931-48
• 4. The Seeds of Anime: Japanese Animation Industries 1946-62
• 5. Dreams of Export: Tōei Dōga and MOM Production 1953-67
• 6. Warrior Business: Tezuka's Anime Revolution in Context 1961-72
• 7. The Braun Tube: Trended Change in Japanese Animation 1966-83
• 8. The Third Medium: The Transformation of Ownership and Access 1977-96
• 9. The 'Pokémon Shock': Anime Goes Global 1984-97, 1997-2006
• 10. The Digital Engine: New Technologies and Animation 1983-2012
• 11. The Great Firewall: Anime and China, 1979-2021
• 12. Holy Lands: Otaku economics, 2005-22
• 13. Everything Now: The transformation of distribution and exhibition, 2015-23
• Epilogue: The new normal?

Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, linked to everything from manga to computer games, Pokemon and plushies. In this comprehensive, critically-acclaimed history, Jonathan Clements traces the production and reception history of anime, from a handful of hobbyists in the early 20th century to the Oscar-winning Spirited Away and up to the present day, with anime established as a global medium.Exploring the cultural and technological developments of the past century, Clements addresses topics such as wartime instructional animation and work-for-hire for American clients. Drawing on the testimonies of industry professionals, a myriad of Japanese-language documents, memoirs and books, Anime: A History illuminates the anime business from the inside, investigating its innovators, its unsung heroes and its controversies.This new edition has been revised and updated throughout, with full colour illustrations and new chapters addressing the rising economic power of otaku subcultures, the development of anime in China, and the transformation of distribution and exhibition accompanying the dominance of Netflix and other globalised streaming platforms.--Publisher's description

• Introducción / Pablo da Silveira, Ministro de Educación y Cultura
• Bitácora del terruño / Enrique Aguerre, Director del Museo Nacional de Artes Visuales
• [s.t.] / Jorge Cancela El desfile de los caudillos / Jorge Abbondanza
• Los caudillos y el pecado original / Óscar Padrón Favre
• Esa vida secreta... / Raúl Zaffaroni
• Cien caudilos, una sola patria / Daniel Vidart
• De la tierra y del cielo / Silvia Guerra
• Caudillos silenciosos / Oscar Larroca
• Arotxa
• English translation.

With everything you need to start in the world of furries, The Art of Drawing Manga Furries is your ultimate guide to creating your own characters and developing your own original anthropomorphic animals.

• Foreword / Antonio Banderas
• The return of an unforgettable hero
• Crafting the special fairy-tale look
• The dynamic duo
• The fairy-tale world
• Scene spotlight: Enter the Big Bad Wolf
• The hero's journey
• Conclusion: Happily ever after
• Afterword / Margie Cohn
• The crew

"DreamWorks Animation brings Puss in Boots back to the big screen, following the daring outlaw as he risks his last life to find the fabled Wishing Star, which holds the power to restore his nine lives. The Art of Puss in Boots: The Last Wish celebrates the studio's latest installment from the Shrek universe, presenting hundreds of character designs and concept art from the making of the movie, along with exclusive interviews from the writers, artists, and filmmakers who brought this story to life. Featuring a foreword by Antonio Banderas, this insider's guide provides a glimpse into the creative process and celebrates everyone's favorite leche-loving, swashbuckling, fear-defying feline."--book jacket

• East Asia. China ; Hong Kong ; Japan ; Vignette: North Korea ; South Korea ; Vignette: Mongolia ; Taiwan
• Southeast Asia. Vignette: Brunei Darussalam ; Cambodia ; Indonesia ; Malaysia ; Myanmar ; The Philippines ; Singapore ; Thailand ; Vietnam
• South Asia. Bangladesh ; India ; Vignette: Iran ; Nepal ; Sri Lanka
• Conclusions
• Appendix: Interviews conducted by John A. Lent

"In Asian Political Cartoons, scholar John A. Lent explores the history and contemporary status of political cartooning in Asia, including East Asia (China, Hong Kong, Japan, North and South Korea, Mongolia, and Taiwan), Southeast Asia (Brunei, Cambodia, Indonesia, Malaysia, Myanmar, Philippines, Singapore, Thailand, and Vietnam), and South Asia (Bangladesh, India, Iran, Nepal, Pakistan, and Sri Lanka). Incorporating hundreds of interviews, as well as textual analysis of cartoons; observation of workplaces, companies, and cartoonists at work; and historical research, Lent offers not only the first such survey in English, but the most complete and detailed in any language. Richly illustrated, this volume brings much-needed attention to the political cartoons of a region that has accelerated faster and more expansively economically, culturally, and in other ways than perhaps any other part of the world. Emphasizing the "freedom to cartoon," the author examines political cartoons that attempt to expose, bring attention to, blame or condemn, satirically mock, and caricaturize problems and their perpetrators. Lent presents readers a pioneering survey of such political cartooning in twenty-two countries and territories, studying aspects of professionalism, cartoonists' work environments, philosophies and influences, the state of newspaper and magazine industries, the state's roles in political cartooning, modern technology, and other issues facing political cartoonists. Asian Political Cartoons encompasses topics such as political and social satire in Asia during ancient times, humor/cartoon magazines established by Western colonists, and propaganda cartoons employed in independence campaigns. The volume also explores stumbling blocks contemporary cartoonists must hurdle, including new or beefed-up restrictions and regulations, a dwindling number of publishing venues, protected vested interests of conglomerate-owned media, and political correctness gone awry. In these pages, cartoonists recount intriguing ways they cope with restrictions-through layered hidden messages, by using other platforms, and finding unique means to use cartooning to make a living"-- Provided by publisher

A student at Goldsmiths College and the Royal College of Art, Eileen Cooper RA became well known in the 1980s for her strong and passionate figuration. Her unapologetically female approach to her subject-matter encompasses sexuality, motherhood, life and death. She was elected a Royal Academician in 2001 and served as Keeper of the Royal Academy between 2010 and 2017, the first woman in the institution's history to do so. This new sketchbook reveals Cooper's fascination with the female body in various media, from pencil and crayon to charcoal and gouache, and celebrates her work in all its joyful intimacy.

• Acknowledgments. INTRODUCTION. Part I Echoes of the National Salvation Movement, 1940s-1950s. Chapter 1.1 Denouncing Chiang Kai-shek: The Emperor's Dream by Chen Bo'er. Chapter 1.2 Unity in Resistance: Wanderings of Sanmao by Zhang Chaoqun. Part II Calls of the Continuous Revolution, 1960s-1970s: Films of You Lei. Chapter 2.1 "To Live is to Serve the People": Rooster Crows at Midnight. Chapter 2.2 "Bombard the Headquarters": The Little 8th Route Army. FINAL NOTES. GLOSSARY. INDEX.
• (source: Nielsen Book Data)

Broadens the horizons of Chinese culture enthusiasts without expertise in animation, and helps to dismantle stereotypical perceptions of Chinese animated film culture as established in the discourses of Western animation studios. Answers the rising need for conducting thorough studies of Chinese mass culture and mechanisms of soft power and indoctrination, and thus helps to understand the cultural identity and heritage of China, which is becoming a global superpower and an aspiring world economic leader. Complements a niche existing in the general knowledge on Asian popular cultures.
(source: Nielsen Book Data)

• Pt. 1. Diffusion matérielle et modèles
• Fortunes et infortunes des "manières anglaises". La diffusion des techniques anglaises de l'estampe entre France et Angleterre
• Sérialiser la satire graphique
• Les modèles graphiques circulent par copies, 1789-1848
• La diffusion des estampes antijésuites en France du règne de Louis XV à la Restauration
• James Gillray, ses gravures antijacobines et son public
• Pt. 2. Le luxe siècle et ses révolutions
• Les cristallo-cérames ou la célébration du pouvoir
• Lapins, faisans et perdrix, héros des barricades de 1830
• Visibilité et reconnaissance de la femme auteur par la diffusion lithographique sous la monarchie de Juillet : réception de la série d'intellectuelles de Julien Léopold Boilly
• La première élection présidentielle française (1848) : tensions autour de la caricature.

"Grâce à de nombreuses études parues depuis un demi-siècle, le contenu des images, leurs sens et les mécanismes généraux de leur présence dans l'espace social et public du dernier tiers du XVIIIe siècle et de la première moitié du XIXe siècle, nous sont à présent plus familiers. Toutefois, leur diffusion et leur public restent encore mal connus. Ce livre collectif, richement illustré, s'est donné pour ambition de rectifier cette lacune et s'attache à évaluer les méthodes de transmission et de réception des images de 1750 et 1848, soit sur une période marquée par une intensification majeure des affrontements politiques, devenant eux-mêmes bientôt déterminants dans l'élaboration du présent et de l'avenir des sociétés contemporaines. L'ouvrage cerne au plus près, à partir d'exemples tirés principalement de la production gravée et lithographique française et européenne, les "usages" des images afin de mieux comprendre leurs diffusions et leurs confrontations plurielles."--Page 4 of cover.