- Introduction: G.J. Hoogewerff, explorer in art history / Wessel Krul
- The reception of Hoogewerff's "De Noord-Nederlandsche Schilderkunst" / Kees van der Ploeg
- The medieval mural paintings in the Dutch Reformed Church at Britsum : a reflection of Frisian Crusade participation / Emanuel S. Klinkenberg
- Art and archives, clerics and counts : new insights on the crucifixion mural in the Utrecht burial chapel of Guy of Avesnes / Ane-Maria J. van Egmont
- A note on the unfortunate Lords of Montfoort / Indra Kneepkens and Arie Wallert
- the instructions in the Bethlehem Plenary and its production process / Susan Suèr
- Genesis jumbled : the creation miniatures in Maerlant's Rijmbijbel in the Museum Meermanno in the Hague / Wendelien A.W. van Welie-Vink
- Michiel van der Borch : discerning fact from fable / Claudine A. Chavannes-Mazel
- Armorials, heralds and heraldry around 1400 : the importance of the manuscript and the cultural-historical context / Wim van Anrooij
- Presentio, imitatio, innovatio : the imitation and correction fo a corrupt pictorial tradition by the Masters of Zweder van Culemborg / Miranda Bloem
- The "Cinderella" of the arts : the study of architectural sculpture up to 1420 from G.J. Hoogewerff's time to the present / Elizabeth den Hartog
- A voice from the grave : the tomb of Guy of Avesnes in Saint-Martin's Cathedral in Utrecht / Sanne Frequin
- Duke Charles of Guelders and the "Restoration" of the tomb monument of Gerard IV and Margaret in the Roermond Minster / Jitske Jasperse
- Epilogue : After Hoogewerff / Claudine A. Chavannes-Mazel.
Fifty years after his death (25 March 1963) and 75 years following the publication of De Noord-Nederlandsche Schilderkunst, G.J. Hoogewerff's comprehensive five-volume study on early painting in the Northern Netherlands serves as a starting point for exciting new research by Dutch art historians. In this book, based on the Proceedings of the Congress '75 years after Hoogewerff', renowned and promising scholars comment on the value of Hoogewerff's work, his academic choices, and the role his research has played in art history from the twentieth century to the present day. New perspectives on medieval Dutch painting, sculpture, and book illumination will entice and fascinate the reader. Dutch medieval art, we now know, cannot be accurately studied without considering the functional environment, the artistic exchange among diverse media and disciplines, and the larger context of European culture as a whole.