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• Introduction
• Intergenerational synthesis as an analytical tool
• Analyzing the 1989 revolution
• Transfer of revolutionary achievements to unified Germany
• Integrating revolutionary achievements into unified Germany's constitutional order
• Conclusion: Rediscovering the 1989 revolution.

• Introduction: collaboration and the problem of sovereign subjectivity
• The psychic life of collaboration: Monika Maron's Stille Zeile Sechs
• Mapping the topography of surveillance in Wolfgang Hilbig's "Ich" and Kerstin Hensel's Tanz Am Kanal
• Collaboration as collapse in the Stasi files and life writing of Monika Maron and Christa Wolf
• Prison/writing: the subject of the Stasi archive
• Animals and the limits of sovereignty in the writing of Unified Germany
• Capitalist complicity in Wolfgang Hilbig's last prose works
• Conclusion: after the Stasi: complicity and cooperation.

"Why did so many citizens of the GDR agree to collaborate with the Stasi? Reading works of literature since German unification in the light of previously unseen files from the archives of the Stasi, After the Stasi uncovers how writers to the present day have explored collaboration as a challenge to the sovereignty of subjectivity. Annie Ring here interweaves close analysis of literary fiction and life-writing by former Stasi spies and victims with documents from the archive, new readings from literary modernism and cultural theories of the self. In its pursuit of the strange power of the Stasi, the book introduces an archetypal character in the writing of German unification: one who is not sovereign over her or his actions, but instead is compelled by an imperative to collaborate - an imperative that persists in new forms in the post-Cold War age. Ring's study identifies a monumental historical shift after 1989, from a collaboration that took place in concert with others, in a manner that could be recorded in the archive, to the more isolated and ultimately less accountable complicities of the capitalist present. While considering this shift in the most recent texts by East German writers, Ring provocatively suggests that their accounts of collaboration under the Stasi, and of the less-than-sovereign subjectivity to which it attests, remain urgent for understanding the complicities to which we continue to consent in the present day."--Bloomsbury Publishing

• List of Illustrations Acknowledgements Notes on the Text Introduction Collaboration and the Problem of Sovereign Subjectivity
• Chapter 1
• The Psychic Life of Collaboration: Monika Maron's Stille Zeile Sechs
• Chapter 2
• Mapping the Topography of Surveillance in Wolfgang Hilbig's "Ich" and Kerstin Hensel's Tanz Am Kanal
• Chapter 3
• Collaboration as Collapse in the Stasi Files and Life Writing of Monika Maron and Christa Wolf
• Chapter 4
• Prison/Writing: The Subject of the Stasi Archive
• Chapter 5
• Animals and the Limits of Sovereignty in the Writing of Unified Germany
• Chapter 6
• Capitalist Complicity in Wolfgang Hilbig's Last Prose Works
• Conclusion
• After the Stasi: Complicity and Cooperation Bibliography Index.
• (source: Nielsen Book Data)

Why did so many citizens of the GDR agree to collaborate with the Stasi? Reading works of literature since German unification in the light of previously unseen files from the archives of the Stasi, After the Stasi uncovers how writers to the present day have explored collaboration as a challenge to the sovereignty of subjectivity. Annie Ring here interweaves close analysis of literary fiction and life-writing by former Stasi spies and victims with documents from the archive, new readings from literary modernism and cultural theories of the self. In its pursuit of the strange power of the Stasi, the book introduces an archetypal character in the writing of German unification: one who is not sovereign over her or his actions, but instead is compelled by an imperative to collaborate - an imperative that persists in new forms in the post-Cold War age. Ring's study identifies a monumental historical shift after 1989, from a collaboration that took place in concert with others, in a manner that could be recorded in the archive, to the more isolated and ultimately less accountable complicities of the capitalist present. While considering this shift in the most recent texts by East German writers, Ring provocatively suggests that their accounts of collaboration under the Stasi, and of the less-than-sovereign subjectivity to which it attests, remain urgent for understanding the complicities to which we continue to consent in the present day.
(source: Nielsen Book Data)

• Teil
• 1. Der Fall Hamann, Baender u.a. - Teil II. Der Fall Max Fechner - Teil III. Der Fall Paul Merker.