- About As Above, So Below Foreword: Art from the Other America, by David Byrne Prefaces, by Lynne Adele and Bruce Lee Webb Acknowledgments Introduction 1. The Rise of American Fraternal Societies in the Nineteenth Century
- Immigrant Societies
- African American Societies
- Religious Societies
- Fraternal Buildings 2. The Growth of an Industry 3. Societies with Secrets: An Introduction to Fraternal Orders
- Freemasonry
- Odd Fellowship
- Knights of Pythias
- Speculative Woodcraft
- Modern Woodmen of America
- Woodmen of the World
- Improved Order of Red Men
- Order of the Patrons of Husbandry (The Grange) The Objects: A Symbolic Art 4. Death Related Imagery / Memento Mori 5. Painting 6. Banners
- 7. The Magic Lantern 8. Chromolithographs 9. Costumes and Regalia
- Costumes
- Ceremonial Regalia and Parade Dress
- Fraternal Aprons 10. Three-Dimensional Ritual Objects 11. The Lodge Goat: The Lighter Side of Fraternalism 12. Vernacular Expressions of Fraternity
- John Haley Bellamy
- Tramp Art
- Trench Art of World War I
- Textiles 13. Monumental Expressions of Fraternalism
- Mendocino Lodge No. 179, Mendocino, California
- Ernest Hupeden's Painted Forest, Valton, Wisconsin
- Samuel P. Dinsmoor's Garden of Eden, Lucas, Kansas 14. Brothers at Rest: Fraternal Funerary Traditions Notes Bibliography The Authors Photography Credits Index.
- (source: Nielsen Book Data)
"There's an inspiring and wacky solemnity in these organizations-high values reinforced through pageantry and performance in an ecumenical social setting-which deep down must also have been a whole lot of fun. Now it's as if that foundational Other America, that underpinning of the America we know, has gradually eroded, and here we remain, living in a world that is a mere shell, a movie set, of the world that made our world manifest, that brought it into being, and all we have left are these perplexing masks, banners, and costumes to puzzle over." -David Byrne, from the foreword Featuring more than two hundred outstanding objects gathered from private and public collections, As Above, So Below provides the first comprehensive survey of the rich vein of art created during the "golden age" of the American fraternal society. By the turn of the twentieth century, an estimated 70,000 local lodges affiliated with hundreds of distinct American fraternal societies claimed a combined five and a half million members. It has been estimated that at least 20 percent of the American adult male population belonged to one or more fraternal orders, including the two largest groups, the Freemasons and the Independent Order of Odd Fellows. The esoteric knowledge, visual symbols, and moral teachings revealed to lodge brothers during secret rituals inspired an abundant and expressive body of objects that form an important facet of American folk art. Lynne Adele and Bruce Lee Webb introduce the reader to fraternal societies and explore the function and meaning of fraternal objects, including paintings and banners, costumes and ceremonial regalia, ritual objects, and an array of idiosyncratic objects that represent a grassroots response to fraternalism. Setting the art in historical context, the authors examine how fraternal societies contributed to American visual culture during this era of burgeoning fraternal activity. Simultaneously entertaining and respectful of the fraternal tradition, As Above, So Below opens lodge room doors and invites the reader to explore the compelling and often misunderstood works from the golden age of fraternity, once largely forgotten and now coveted by collectors.
(source: Nielsen Book Data)
