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• Foreword Preface Part I. Mortal Sin Part II. Redemption Part III. Revival Further Reading.
• (source: Nielsen Book Data)

Standing on the Edmund Pettus Bridge in Selma, Alabama, in 2017, photographer William Abranowicz was struck by the weight of historical memory at this hallowed site of one of the civil rights movement's defining episodes: 1965's "Bloody Sunday, " when Alabama police officers attacked peaceful marchers. To Abranowicz's eye, Selma seemed relatively unchanged from its apperance in the photographs Walker Evans made there in the 1930s. That, coupled with an awareness of renewed voter suppression efforts at state and federal levels, inspired Abranowicz to explore the living legacy of the civil and voting rights movement through photographing locations, landscapes, and individuals associated with the struggle, from Rosa Parks and Harry Belafonte to the barn where Emmett Till was murdered. The result is This Far and No Further, a collection of photographs from Abranowicz's journey through the American South. Through symbolism, metaphor, and history, he unearths extraordinary stories of brutality, heroism, sacrifice, and redemption hidden within ordinary American landscapes, underscoring the crucial necessity of defending-and exercising-our right to vote at this tenuous moment for American democracy.
(source: Nielsen Book Data)

• Director's foreword / Gerald D. Bolas
• Collectors' foreword / Eunice and Herbert Shatzman
• Introduction / Sherman E. Lee
• Looking at pottery / Timothy Riggs
• Map
• Transformations in the glaze / Ellen Avril.

Two orphans face starvation on the prairie of northeastern Kansas during the terrible winter of 1885-86. Dell and Joel Wells, redheads who have barely reached shaving age, are about to abandon their dead father's claim on Beaver Creek because it won't grow crops. Then unexpected events, and a drover seeking aid, allow them a decent chance in life. First published in 1911, Wells Brothers, The Young Cattle Kings shows what happens when experienced enterprise meets youthful energy. The boys develop their own ranch on the Beaver, without capital but with honor. No amount of savvy can entirely prepare them for the risks: cruel winters, rapacious wolf packs, summer droughts, mysterious Texas fever, the shifting circumstances of the cattle trade. Andy Adams (1859-1935), author of the classic Log of a Cowboy (also available as a Bison Book), wraps the saga of the Wells brothers in authentic western atmosphere and lore. Jim Hoy is a professor of English at Emporia State University and the author of Cowboys and Kansas: Stories from the Tallgrass Prairie.
(source: Nielsen Book Data)

• Foreword by Don Carleton Preface by Alyssa Adams Everything but the Picture by Anne Wilkes Tucker Plates Early Work: The 1950s and 1960s The 1970s The World Portraits Timeline.
• (source: Nielsen Book Data)

Best-known for Saigon Execution, his Pulitzer Prize-winning photograph that forever shaped how the world views the horrors of war, Eddie Adams was a renowned American photojournalist who won more than five hundred awards, including the George Polk Award for News Photography three times and the Robert Capa Gold Medal. During his fifty-year career, he worked as a staff photographer for the Associated Press, Time, and Parade, and his photos appeared on more than 350 magazine covers. Adams is also famous and deeply respected for founding the Eddie Adams Workshop, an intensive photography seminar whose graduates include twelve Pulitzer Prize-winners and many others who have achieved illustrious careers in journalism, commercial photography, and media. Eddie Adams presents a career-spanning selection of the photographer's finest work from the 1950s through the early 2000s, drawn from the Eddie Adams Photographic Archive at the Dolph Briscoe Center for American History at the University of Texas at Austin. In addition to his much-praised Vietnam War photography, the book includes images that uncannily reflect world and domestic issues of today, including immigration, conflict in the Middle East, and the refugee crisis. All of them attest to Adams's overwhelming desire to tell people's stories. As he once observed, "I actually become the person I am taking a picture of. If you are starving, I am starving, too." Accompanying the images are an essay by internationally acclaimed photography curator Anne Wilkes Tucker, a personal remembrance by Adams's widow Alyssa Adams, a foreword by Briscoe Center director Don Carleton, who provides a concise history of Adams's career, and a timeline.
(source: Nielsen Book Data)