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"从前的初恋"由王蒙写作于1956年的两个中篇小 说"从前的初恋"和"组织部来了个年轻人"组成.前 者时隔66年后首次刊发在人民文学2022年第4期杂志 上, 后者已成为中国当代文学最重要的作品之一, 用王蒙自己的话说二者是"互通互生互补互证同胎 同孕异趣"."从前的初恋"自然实在饱含着"组织部 来了个年轻人"里被克制的"爱感叙事".小说主人公 刘夏, 1952年刚满十八岁, 他用日记的形式真实记录着自己正在经历的生活, 包括环境, 氛围, 细节, 情感等.刘夏在工作中结识并爱上了女主人公凌蕊 园, 革命理想和信念集合起来的他, 也正处于情窦初开的春意盎然的年纪, 于是他勇敢抒发衷肠, 追求爱情, 经历了一场浪漫懵懂的初恋.作品在文体上有非虛 构和虛构, 往昔和现在的复合特征, 今天的导读和少量的插话是叙述的有机组成部分, 是一部清新赤诚又宽宏高妙的作品.此篇与"组织 部组织部来了个年轻人"组合成一一个全新的阅读 版本, 并以当年的旧照片点缀, 将形成一部独特的代表新中国成立初期人与时代 风貌的重要作品. "从前的初恋"由王蒙写作于1956年的两个中篇小 说"从前的初恋"和"组织部来了个年轻人"组成.前 者时隔66年后首次刊发在人民文学2022年第4期杂志 上, 后者已成为中国当代文学最重要的作品之一, 用王蒙自己的话说二者是"互通互生互补互证同胎 同孕异趣"."从前的初恋"自然实在饱含着"组织部 来了个年轻人"里被克制的"爱感叙事".小说主人公 刘夏, 1952年刚满十八岁, 他用日记的形式真实记录着自己正在经历的生活, 包括环境, 氛围, 细节, 情感等.刘夏在工作中结识并爱上了女主人公凌蕊 园, 革命理想和信念集合起来的他, 也正处于情窦初开的春意盎然的年纪, 于是他勇敢抒发衷肠, 追求爱情, 经历了一场浪漫懵懂的初恋.作品在文体上有非虛 构和虛构, 往昔和现在的复合特征, 今天的导读和少量的插话是叙述的有机组成部分, 是一部清新赤诚又宽宏高妙的作品.此篇与"组织 部组织部来了个年轻人"组合成一一个全新的阅读 版本, 并以当年的旧照片点缀, 将形成一部独特的代表新中国成立初期人与时代 风貌的重要作品.

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本书探索唐宋诗歌与园林植物审美的复杂联系, 着重讨论唐宋诗人独特的园林植物审美经验与诗 歌意象表现和意境营构的关系; 联系绘画文献和植物谱录文献, 梳理唐宋园林植物复杂且不断发展的审美内涵, 多角度观察其对唐宋文人诗歌创作的影响.上编考 察唐宋时期王维, 杜甫, 白居易, 李德裕, 苏轼, 晁补之, 杨万里等园林植物书写最具特色的诗人, 分析其对园林植物审美的不同表现.下编围绕"窗 竹"与"出墙花木"两个唐宋诗歌和绘画中典型的园 林植物审美意象, 结合图画与画论文献, 挖掘其美学意蕴, 梳理相关艺术问题. 本书探索唐宋诗歌与园林植物审美的复杂联系, 着重讨论唐宋诗人独特的园林植物审美经验与诗 歌意象表现和意境营构的关系; 联系绘画文献和植物谱录文献, 梳理唐宋园林植物复杂且不断发展的审美内涵, 多角度观察其对唐宋文人诗歌创作的影响.上编考 察唐宋时期王维, 杜甫, 白居易, 李德裕, 苏轼, 晁补之, 杨万里等园林植物书写最具特色的诗人, 分析其对园林植物审美的不同表现.下编围绕"窗 竹"与"出墙花木"两个唐宋诗歌和绘画中典型的园 林植物审美意象, 结合图画与画论文献, 挖掘其美学意蕴, 梳理相关艺术问题.

• Frontmatter
• Contents
• List of Figures
• List of Tables
• Introduction to the Huayuanzhuang East Oracle Bone Inscriptions
• Translation
• Conventions and Symbols
• HYZ 1
• Appendix I: Raw Data
• Appendix II: Parallel content, related content, sets, and synchronies
• Appendix III: The "Big Synchrony"
• Bibliography
• Index

Since 1899 more than 73,000 pieces of inscribed divination shell and bone have been found inside the moated enclosure of the Anyang-core at the former capital of the late Shang state. Nearly all of these divinations were done on behalf of the Shang kingsand has led to the apt characterization that oracle bone inscriptions describe their motivations, experiences, and priorities. There are, however, much smaller sets of divination accounts that were done on behalf of members of the Shang elite other than the king. First noticed in the early 1930's, grouped and periodized shortly thereafter, oracle bone inscriptions produced explicitly by or on behalf of "royal familygroups" reveal information about key aspects of daily life in Shang societythat are barely even mentioned in Western scholarship. The newly published Huayuanzhuang East Oracle Bone inscriptions are a spectacular addition to the corpus of texts from Anyang: hundreds of intact or largely intact turtle shells and bovine scapulae densely inscribed with records of the divinations in which they were used. They were produced on the behalf of a mature prince of the royal family whose parents, both alive and still very much active, almost certainly were the twenty-first Shang king Wu Ding (r. c. 1200 B.C.) and his consort Lady Hao (fu Hao). The Huayuanzhuang East corpus is an unusually homogeneous set of more than two thousand five hundred divination records, produced over a short period of time on behalf of a prince of the royal family. There are typically multiple records of divinations regarding the same or similar topics that can be synchronized together, which not only allows for remarkable access into the esoteric world of divination practice, but also produce micro-reconstructions of what is essentially East Asia's earliest and most complete "day and month planner." Because these texts are unusually linguistically transparent and well preserved, homogeneous in orthography and content, and published to an unprecedentedly high standard, they are also ideal material for learning to read and interpret early epigraphic texts. The Huayuanzhuang East oracle bone inscriptions are a tremendously important Shang archive of "material documents" that were produced by a previously unknown divination and scribal organization. They expose us to an entirely fresh set of perspectives and preoccupationscentering ona member of the royal family at the commencement of China's historical period. The completely annotated English translation of the inscriptions is the first of its kind, and is a vibrant new source of Shang history that can be accessedto rewrite and supplement what we know about early Chinese civilization and life in the ancient world. Before the discerning reader are the motives, preoccupations, and experiences of a late Shang prince working simultaneously in service both for his Majesty, his parents, and hisown family.

• Intro
• Table of Contents
• Acknowledgments
• Conventions
• Introduction
• Part I: A Multilayered Contact Space in Turn-of-the-Century East Asia
• 1. Literature's Search for Itself: Liang Qichao and Meiji Political Fiction
• 2. Literature and Life in Exile: Sin Ch'aeho's Engagement with Liang Qichao's Work
• Part II: Reforming Language and Redefining "Literature"
• 3. Parody and Repetition: Rereading the Works of Lu Xun, Mori Lgai, and Yi Kwangsu
• 4. History as Rewriting: The Historical Fiction of Lu Xun, Mori Lgai, and Yi Kwangsu

• Part III: Japan's Imperial Mimicry and Its Critique
• 5. Archaeology of Resistance: Zhou Zuoren's Cultural Criticism in Wartime East Asia
• 6. Transnational Allegory: Intertextualizing Lu Xun in Late Colonial Korean, Taiwanese, and Manchukuo Literatures
• Conclusion
• Notes
• Bibliography
• Index

• Intro
• Table of Contents
• Acknowledgments
• Prologue: A Lonely Hidden Army, 2010
• 1. Poetics of the Invisible: Introducing the New Wave
• 2. Science Fiction as Method: Worlding the Genre
• 3. Can We Read "A Madman's Diary" as Science Fiction? Rewriting Literary History
• Excursus I: Looking Backward: 2010-1900
• 4. A Poetic Heart in the Dark Forest: Liu Cixin's Three-Body Universe
• 5. The Power of Darkness in Han Song: Mythology of the Chthonic
• 6. Variations on Utopia: Specters and Myths
• 7. A Topology of Hope: Sinotopia and Heterotopia

• 8. Chinese New Wave Goes Global: The Posthuman Turn
• Excursus II: The Rise of She-SF: 2010-2022
• 9. New Wonders of a Nonbinary Universe: Opening of the Neo-Baroque
• Epilogue: The Wandering Earth, 2019
• Notes
• Bibliography
• Untitled