%{search_type} search results

• Introduction Miguel Rodriguez & David Marcilhacy
• Les instituts de langues et cultures étrangères, des carrefours pour construire un "territoire académique"
• L'Institut d'études hispaniques : stratégies politiques et diplomatiques
• Rafael Altamira à la Sorbonne et la Grande Guerre. La querelle des patries avec Alfred Morel-Fatio
• Ignacio Peir6 Martin
• De l'hispanisme parisien et des hispanistes
• La fondation Cambio : une entreprise d'internationalisation de la culture catalane
• Quand l'hispaniste rencontre l'entreprise : l'introduction des études appliquées en Sorbonne
• Cent ans d'enseignement universitaire du portugais en France : une histoire à mettre en perspective
• Europe centrale et orientale : l'émergence des recherches (1853-1930) et le comparatisme typologique
• Cent ans d'études scandinaves en Sorbonne
• Un "foyer de connaissance vivante" : l'Institut d'études germaniques
• Iralophilie et études italiennes à la Sorbonne
• Les études arabes et islamiques à l'Université de Paris
• Les études russes, construction d'une discipline de l'alliance franco-russe à la guerre froide
• Les anglicistes de la Sorbonne
• Trajectoires des études anglophones
• Études aréales ?
• Miguel Rodriguez
• Index analytique.

"C'est quoi, les "études aréales" ? Un néologisme pour décrire les savoirs qui portent sur des langues et des cultures étrangères vivantes. En premier lieu celles de nos voisins, celles que l'on enseigne dans le secondaire et que l'on parle dans les échanges internationaux. Étudier ces langues, c'est aussi envisager des aires géographiques ou culturelles. Cet ouvrage retrace l'histoire des instituts spécialisés autour de ces langues qui naissent en Sorbonne à l'orée du XXe siècle. Quelle place les "études aréales", ces formations disciplinaires au carrefour de plusieurs savoirs, tiennent-elles à l'Université de Paris qui en a été le laboratoire ? Comment l'Université française a-t-elle fait une place à l'Autre ? Cette réflexion commune d'historiens et de spécialistes de ces langues traverse le XXe siècle et débouche sur les grandes réformes de 1968."--Page 4 of cover.

"As Cork city pulsated with poetry and music in the early 1970s, a revolution in Irish-language poetry was about to be launched on the banks of the Lee. Inspired by the innovative energy of composer and musician Seán Ó Riada, and under the watchful, and sometimes critical, eye of resident poet Seán Ó Ríordáin, a group of four pioneering poets established a journal that would alter the course of Irish-language poetry and literature. Over fifty years after Innti first launched the voices of Nuala Ní Dhomhnaill, Michael Davitt, Liam Ó Muirthile, and Gabriel Rosenstock, this bilingual book seeks to examine the cultural climate from which the journal emerged and hopes to capture a portrait of this literary and cultural phenomenon. The electrifying readings which drew enormous crowds throughout Cork are among the many mythologies surrounding the story of Innti, and this collection of essays correlates and challenges the numerous strands of the story for the first time. While Ó Ríordáin labelled them a 'school', others have unconvincingly described Innti as a movement. This timely publication seeks to explain why Cork city and University College Cork provided fertile terrain and how, in Máire Mhac an tSaoi's words, 'a second blossoming' occurred in modern Irish-language poetry at this vibrant time. Including interviews and reflective essays, as well as insightful academic arguments, this book reassesses Innti's contribution to twentieth-century Irish literature"-- Provided by publisher.

• Introduction
• Caoineadh Airt Uí Laoghaire / edited by Seán Ó Tuama (1961)
• Lament for Art O'Leary / translated by John FitzGerald
• Acknowledgements and notes

This study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, in nineteenth-century responses to the rapid and unsettling effects of Ireland's precocious colonial modernity, such as language loss and political violence. He argues that Irish poetry's inventiveness is driven by the need to find formal means to engage with historical conditions that take from the writer the customary certainties of cultural continuity, identity and aesthetic or personal autonomy, rather than by poetic innovation for its own sake. This reading of Irish poetry understands the innovative impetus that persists through Irish poetry since the nineteenth century as a counterpoetics of modernity. Opening with chapters on Mangan and Yeats, the book then turns to detailed discussions of Trevor Joyce, Maurice Scully, and Catherine Walsh: major Irish contemporary poets never before the focus of a book-length study.
(source: Nielsen Book Data)

Louis de Paor is one of Ireland's leading Irish-language poets, and was a key figure in the Irish language poetry renaissance of the 1980s and 90s. His dual-language selection The Brindled Cat and the Nightingale's Tongue was published in 2014, following his selected poems, Rogha Danta (2012), voted one of the top ten collections in Irish since the turn of the millennium. This new dual-language selection is mainly drawn from two other collections, Cupla Siamach an Ama/The Siamese Twins of Time and Gra fiar/Crooked Love, with translations made by Louis de Paor with Kevin Anderson and Biddy Jenkinson. It shows a paring back of language and a greater flexibility of form in his poetry, as well as a preoccupation with the passage of time and its implications for both familial and sexual love. His narrative skill and inventiveness come together in the sequence 'La da raibh/One day', which follows a day in the life of an imaginary village in the west of Ireland where the living and the dead, the real and the unreal, collide. This was adapted for a dual-language radio feature with music by Dana Lyn broadcast on RTE Lyric FM and Raidio na Gaeltachta in 2021.
(source: Nielsen Book Data)

• The Lloyds of Llanforda and Lhwyd's grandfather Edward Lloyd
• Life at Llanforda: father and son
• Oxford
• Apprentice years at the Ashmolean
• Keeper of the Ashmolean Museum
• Fossils and 'formed stones': Lithophylacii Britannici Ichnographia, 1699
• Britannia, 1695
• Archæologia Britannica: the 'great tour', 1697-1701: Wales
• Archæologia Britannica: 'parallel observations'
• The Glossography and after
• Afterlife

Loodeen Winders - Lewy, six years of age - is growing up sharp. It's the turbulent early 1920s in a market town in the west of Ireland. Free State soldiers patrol in front of the Workhouse. Lewy's worried about his father's car being commandeered again. The nuns loom over Lewy and his classmates, amongst them the orphans - those shadowy figures, 'slobbery and weak and raggy'. Encounters with Violet and 'Brazenface' Rosaleen McInally in the woods play on Lewy's mind, even while he's trying to fathom the death of his beloved Grandfather. For a treat he goes behind the screen at the Pictures where his father creates the sound effects with his 'Jazzdrums' for the Hunchback of Notre Dame. Lewy's mother works magic on the sewing machine and picks up the pieces when things get out of hand - like the time he breaks his arm walking the wire in their backyard circus. On the fortieth anniversary of Eoghan O Tuairisc's death, this is the first appearance in English of the frank, funny voice of Lewy, a vital witness of his place and time.
(source: Nielsen Book Data)

• Die Herausgeber*innen : Vorwort
• Einleitung
• Schnittstellen : ein Streifzug durch die Geschichte finnisch-deutscher Kulturbeziehungen / Christoph Parry
• Repräsentationen : Deutschland- und Finnlandbilder
• Stahlgraues Land zwischen Meer und Bergen : Deutschlandbilder in den finnischen Geografieschulbüchern 1973-1996 / Virpi Kivioja
• Wo die Grenze verläuft : Nazis, Deutsche und Deutschland in der finnischen Gegenwartsliteratur / Thekla Musäus
• Morden im Norden : das Finnlandbild in Tage des letzten Schnees (2014) von Jan Costin Wagner / Alexandra Simon-López
• Mittsommer in Verikylä und Winter in Karelien : Beobachtungen zum Finnlandbild deutschsprachiger Kriminalromane / Katri Annika Wessel
• Reflexionen : alternative Perspektiven auf gesellschaftliche Konflikte
• Metahistorische Gedächtnisliteratur : Fotographie in Leena Landers Käsky (2003, Die Unbeugsame, 2006) / Dörthe Horstschäfer
• Von bewusstseinserweiternden Pflanzen oder der Überwindung des Menschen : Finnish/Nordic Weird als literarische Antwort auf die ökologischen Krisen des Anthropozäns? / Judith Meurer-Bongardt
• Translationen : vom Finnischen ins Deutsche und umgekehrt
• "Helvetin kiinnostava" : "hochinteressant"? Zum Zusammenspiel einiger übersetzer- und kontextgebundener Faktoren auf das Translat am Beispiel von Graduierungen / Yvonne Bindrim
• Christoph von Schmids Erzählung Heinrich von Eichenfels auf Finnisch : ein Beitrag zu deutsch-finnischen Kinderliteraturbeziehungen / Marja Järventausta
• "Nach wie vor warten wir ungeduldig auf Klassiker unserer Literatur in deutscher Übersetzung" : Propagandaoffiziere des finnischen Verbindungsstabs im Auftrag der finnisch-deutschen Waffenbrüderschaft 1941-1944 / Pekka Kujamäki
• Traditionen : von Sprachbiographien zum sprachunterricht
• Mehrsprachige Nachbarschaften in einer finnischen Industriestadt : variierende Sprachenrepertoires der älteren Generation / Leena Kolehmainen
• Deutschunterricht mit Rammstein : Reflexionen und Erfahrungen aus der Unterrichtspraxis / Kati Perälä & Minna Maijala
• FI-Dach-Landeskunde in finnischen Deutschlehrwerken : eine Zeitreise / Minna Maijala
• Die Autor*innen

• 1. Introduction: An Unfashionable Tradition 2. 'Traffic-less Emmaeus': Saunders Lewis 3. 'The flashed mystery of the moving world': Vernon Watkins 4. 'Enfysu'/ Rainbowing: Euros Bowen
• 5. Gwenallt: the Hieronymous Bosch of Wales
• 6. Waldo Williams: King in Exile
• 7. Bobi Jones: Court Poet to the Almighty 8. Three Poets
• 9. R.S.Thomas and the Tradition
• 10. Epilogue: the Case of Rowan Williams.
• (source: Nielsen Book Data)

The great religious poetry of R. S. Thomas and the poetry of the former Archbishop of Canterbury Rowan Williams is rooted in a remarkable late-twentieth-century tradition of spiritual poetry in Wales that includes figures as different as Saunders Lewis and Vernon Watkins, Waldo Williams and Bobi Jones. Examining this body of work in detail, the present study demonstrates how the different theological outlooks of the poets was reflected in their choice of form, style and vocabulary, highlighting a literary culture that was highly unusual in its rejection of a prevailing secularisation in the UK, Western Europe and the USA.
(source: Nielsen Book Data)

• 1 Introduction2 Filming Global Ireland: Roddy Doyle's The Commitments
• 3 The Riddle of the Models of John Carney's Sing Street (2016)
• 4 The Women Incarnate of Words Upon the Window Pane
• 5 Mouth Not Eye: On Jordan's Adaptation of Beckett's Not I
• 6 "The Joyce of Filum: Cinematic Accounts of Ulysses"
• 7 "One Beetle Recognizes Another": Translation, Transformation, Transgression in Cartoon Saloon's Film The Secret of Kells
• 8 Bad Da's: Rewriting Fatherhood in Breakfast on Pluto
• 9 What Richard Did: Sort of Adapting Irish History
• 10 Plagues of Silence: Adaptation and Agency in Colm Toibin's and John Crowley's Brooklyns
• 11 The Program, Seven Deadly Sins, and Stephen Frears
• 12 The Immutable and Un-retrievable in the Diasporic Films of John Michael and Martin McDonagh
• 13 "How should we remember what happened?": Cultural Representations of Institutional Abuse in Jim Sheridan's The Secret Scripture.
• (source: Nielsen Book Data)

In this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual worlds, the volume addresses some of the most popular and important late 20th-Century and 21st Century works that have had an impact on the Irish and global cinema and literary landscape. A remarkable series of acclaimed and profitable domestic productions during the past three decades has accompanied, while chronicling, Ireland's struggle with self-identity, national consciousness, and cultural expression, such that the story of contemporary Irish cinema is in many ways the story of the young nation's growth pains and travails. Whereas Irish literature had long stood as the nation's foremost artistic achievement, it is not too much to say that film now rivals literature as Ireland's key form of cultural expression. The proliferation of successful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has undergone radical change during the past three decades. This present volume is the first to present a collective accounting of that productive synergy, which has seen so much of contemporary Irish literature transferred to the screen.
(source: Nielsen Book Data)