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• Intro
• Preface
• Organization
• Contents
• Music Technology in the IA Era
• KANSEI Informatics and Music Technology in AI Era
• 1 Introduction
• 2 New Trend of Technology Development
• 3 KANSEI Informatics
• 4 AI and Music Technology
• 5 Conclusions
• References
• On Parallelism in Music and Language: A Perspective from Symbol Emergence Systems Based on Probabilistic Generative Models
• 1 Introduction
• 2 Language Acquisition and Music Composition Using PGMs
• 2.1 Multimodal Concept Formation and Lexical Acquisition in Robotics
• 2.2 Automatic Music Composition in Computers

• 3 Symbol Emergence Systems and Emergence of Semiotic Meanings
• 3.1 Symbol Emergence Systems
• 3.2 Collective Predictive Coding
• 4 On Parallelism in Music and Language
• 4.1 Parallelism on Syntax, Brain and Evolution
• 4.2 Symbol Emergence Systems on Music, Emotion, and Interoception
• 5 Conclusion
• References
• WaVAEtable Synthesis
• 1 Introduction
• 1.1 Motivation and Project Overview
• 1.2 Related Methods
• 2 WaVAEtable Synthesis
• 2.1 Sample Neural Network Architecture and Training
• 2.2 Wavetable Generation
• 2.3 Synthesizer Implementations

• 2.4 Incorporation of Existing Timbral Autoencoders
• 3 Future Work and Conclusion
• References
• Deep Learning-Based Music Instrument Recognition: Exploring Learned Feature Representations
• 1 Introduction
• 2 Attention-Based Model
• 2.1 Input Pre-processing
• 2.2 1st Stage: Post-processing and Representation
• 2.3 2nd Stage: CNN, Attention Mechanism and Classification
• 3 Datasets
• 4 Experimental Procedure
• 4.1 1st Stage: Pre-Training Objectives
• 4.2 2nd Stage: Downstream Instrument Recognition
• 5 Evaluation
• 6 Results and Discussion

• 6.1 Representation Post-processing: Impact on Performance
• 6.2 Learned Representations: Impact on Performance
• 7 Conclusions
• References
• Time-Span Tree Leveled by Duration of Time-Span
• 1 Introduction
• 2 Implementation Problems of Melodic-Morphing Algorithm
• 2.1 Ideas of Melodic Morphing
• 2.2 Partial Melody Reduction
• 2.3 Combining Two Melodies
• 2.4 Implementation Problems of Melodic-Morphing Algorithm
• 3 Implementation Problems of Deep-learning-based Time-Span Tree Analyzer
• 4 Solution: Time-Span Tree Leveled by Duration of Time Span
• 4.1 Automatic Melodic Morphing

• 4.2 Automatic Time-Span Tree Analysis by Deep Learning
• 5 Experiment and Results
• 5.1 Automating Melodic Morphing by Prioritization of Branches
• 5.2 Comparison of Seq2Seq and Transformer in Stepwise Time-Span Reduction
• 6 Conclusion
• References
• Evaluating AI as an Assisting Tool to Create Electronic Dance Music
• 1 Introduction
• 2 Related Work
• 3 Environment Setup and AI-Created Music
• 4 Test Structure and Efficiency Evaluation
• 4.1 Structure
• 4.2 Evaluation
• 5 Listening Evaluation
• 6 Summary and Conclusion
• References
• Interactive Systems for Music

This book constitutes the refereed proceedings and revised selected papers from the 15th International Symposium on Music in the AI Era, CMMR 2021, which took place during November 1519, 2021 as a virtual event. The 24 full papers included in this book were carefully reviewed and selected from 48 submissions. The papers are grouped in thematical sessions on Music technology in the IA era; Interactive systems for music; Music Information Retrieval and Modeling; and Music and Performance Analysis

• Music Information Retrieval - Music, Emotion and Representation.- Computational Musicology.- Audio Signal Processing - Music Structure, Analysis, Synthesis and Composition Tools.- Notation and Instruments Distributed on Mobile Devices.- Auditory Perception and Cognition - From the Ear to the Body.- The Process of Sound Design.- Sonic Interaction for Immersive Media - Virtual and Augmented Reality.- Musical Interaction: Embodiment, Improvisation, Collaboration.- Jean-Claude Risset and Beyond.
• (source: Nielsen Book Data)

This book constitutes the refereed proceedings of the 14th International Symposium on Perception, Representations, Image, Sound, Music, CMMR 2019, held in Marseille, France, in October 2019. The 46 full papers presented were selected from 105 submissions. The papers are grouped in 9 sections. The first three sections are related to music information retrieval, computational musicology and composition tools, followed by a section on notations and instruments distributed on mobile devices. The fifth section concerns auditory perception and cognition, while the three following sections are related to sound design and sonic and musical interactions. The last section contains contributions that relate to Jean-Claude Risset's research.
(source: Nielsen Book Data)

• Retrieving the Meaning.- Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches.- Perception of Harmonic and Inharmonic Sounds: Results from Ear Models.- Semantic Contours in Tracks Based on Emotional Tags.- Chunking Sound for Musical Analysis.- Towards a Model of Musical Chunks.- Does Social Interaction Activate Music Listeners?.- Musically Meaningful or Just Noise? An Analysis of On-line Artist Networks.- The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors.- Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives.- Refinement Strategies for Music Synchronization.- Labelling the Structural Parts of a Music Piece with Markov Models.- Tree Representation in Combined Polyphonic Music Comparison.- Interval Distinction on Melody Perception for Music Information Retrieval.- A Learning-Based Model for Musical Data Representation Using Histograms.- Generating the Meaning: Tools and Performance.- Ontological Substance and Meaning in Live Electroacoustic Music.- Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation.- Amplified Breath - (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity.- KSQuant - Complex Score Manipulation in PWGL through Quantization.- Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP.- An IEEE 1599-Based Interface for Score Analysis.- New Music in the Atomic Age.
• (source: Nielsen Book Data)

CMMR is an annual event focusing on important aspects of computer music. CMMR 2008 was the ?fth event in this series and was co-organized by A- borg University Esbjerg, Denmark (http://www.aaue.dk), the Laboratoire de M' ecanique et d'Acoustique, CNRS in Marseille, France (http:/www.lma.cn- mrs.fr) and the Network for Cross-Disciplinary Studies of Music and Meaning, University of Southern Denmark (http://www.ntsmb.dk/). The conference was held in Copenhagen, May 19-23, 2008. The four previous editions of CMMR gathered a large number of notew- thy papers by researchers from the ?eld of computer music. The proceedings of these conferences were published in the Lecture Notes in Computer Science series (LNCS 2771, LNCS 3310, LNCS 3902 and LNCS 4969). The present e- tion follows the lineage of the previous ones, including a collection of 21 papers specially reviewed and corrected for this proceedings volume. The ?eld of computer music embraces a large number of research areas that span from information retrieval, programming, arti?cial intelligence to aco- tics, signal processing and sound modeling. In the last CMMR gatherings an increased emphasis was placed on the role of human interaction at all levels of musicalpractice, aswellasperceptualandcognitiveaspects inorderto establish relationsbetweenthestructureofsoundsandtheirimpactonhumanbeings. The identi?cation of perceptually relevant sound structures is linked to the notion of the sense of sounds, which was the title of the CMMR 2007 conference.
(source: Nielsen Book Data)

This book constitutes the thoroughly refereed post-proceedings of the Third International Computer Music Modeling and Retrieval Symposium, CMMR 2005, held in Pisa, Italy, in September 2005. The 24 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics. The papers are organized in topical sections on sound synthesis; music perception and cognition; interactive music: interface, interaction, gestures and sensors, music composition; music retrieval: music performance, music analysis, music representation; as well as interdisciplinarity and computer music.
(source: Nielsen Book Data)

This book constitutes the refereed proceedings of the Second International Conference on Music and Artificial Intelligence, ICMAI 2002, held in Edinburgh, Scotland, UK in September 2002. The 16 revised full papers presented together with abstracts of 2 invited talks were carefully reviewed and selected for inclusion in the proceedings. Among the topics addressed are parsing for music and language, patterns in music, musical pattern recognition, visualisation, sound classification, tonal structure representation, musical learning systems, pattern analysis, musical perception, melodic segmentation, and time series analysis.
(source: Nielsen Book Data)

This book constitutes the refereed proceedings of the Second International Conference on Music and Artificial Intelligence, ICMAI 2002, held in Edinburgh, Scotland, UK in September 2002. The 16 revised full papers presented together with abstracts of 2 invited talks were carefully reviewed and selected for inclusion in the proceedings. Among the topics addressed are parsing for music and language, patterns in music, musical pattern recognition, visualisation, sound classification, tonal structure representation, musical learning systems, pattern analysis, musical perception, melodic segmentation, and time series analysis.
(source: Nielsen Book Data)

• The book is devoted to the relationships between acoustics, human information processing, and culture as well as to methodological issues raised by the use of computers as a powerful tool for theory construction, theory testing and the manipulation of musical information or data manipulation related to music. The book comes with a CD (sound examples for the various chapters)
• it contains a comprehensive name and subject index and the following chapters: Gestalt theory revisited, from pitch to harmony, rhythm to expectation, timbre, musical expression to interactive computer systems.
• (source: Nielsen Book Data)

This book presents a coherent state-of-the-art survey on the area of systematic and cognitive musicology which has enjoyed dynamic growth now for many years. It is devoted to exploring the relationships between acoustics, human information processing, and culture as well as to methodological issues raised by the widespread use of computers as a powerful tool for theory construction, theory testing, and the manipulation of musical information or any kind of data manipulation related to music. The book comes with a CD providing sound examples for various chapters; it contains a comprehensive name and subject index and the following chapters: Gestalt theory revisited, from pitch to harmony, from rhythm to expectation, from timbre to texture, from musical expression to interactive computer systems.
(source: Nielsen Book Data)

This monograph presents the author's studies in musicrecognition aimed at developing a computer system forautomatic notation of performed music. The performance ofsuch a system is supposed to be similar to that of speechrecognition systems: acoustical data at the input and musicscoreprinting at the output. The approach to pattern recognition employed is thatofartificial perception, based on self-organizing input datain order to segregate patterns before their identificationby artificial intelligencemethods. The special merit of theapproach is that it finds optimal representations of datainstead of directly recognizing patterns.
(source: Nielsen Book Data)

• Plenary Talks
• Contrapuntal Aspects of the Mystic Chord and Scriabin's Piano Sonata No. 5
• Octavio A. Agustín-Aquino, Guerino Mazzola
• ComMute-Towards a Computational Musical Theory of Everything / Guerino Mazzola
• Algebraic and Other Abstract Mathematical Approaches to Understanding Musical Objects
• Groupoids and Wreath Products of Musical Transformations: A Categorical Approach from poly-Klumpenhouwer Networks / Alexandre Popoff, Moreno Andreatta, Andrée Ehresmann
• Fourier Phase and Pitch-Class Sum / Dmitri Tymoczko, Jason Yust
• Categories, Musical Instruments, and Drawings: A Unification Dream / Maria Mannone, Federico Favali
• Tropical Generalized Interval Systems / Giovanni Albini, Marco Paolo Bernardi
• Shall We (Math and) Dance?
• Maria Mannone, Luca Turchet
• Special Session: Remanaging Riemann: Mathematical Music Theory as "Experimental Philology"?
• Decontextualizing Contextual Inversion / Jason Yust
• From Schritte and Wechsel to Coxeter Groups / Markus Schmidmeier
• Exploring the Syntonic Side of Major-Minor Tonality / Thomas Noll, David Clampitt
• Embedded Structural Modes: Unifying Scale Degrees and Harmonic Functions / Thomas Noll, Karst De Jong
• Non-Contextual JQZ Transformations / Franck Jedrzejewski
• The Hierarchy of Rameau Groups / Franck Jedrzejewski
• Distant Neighbors and Interscalar Contiguities / Daniel Harasim, Thomas Noll, Martin Rohrmeier
• Constraint-Based Systems of Triads and Seventh Chords, and Parsimonious Voice-Leading / Matt Klassen
• Octave Division
• Distributional Analysis of n-Dimensional Feature Space for 7-Note Scales in 22-TET / Gareth M. Hearne, Andrew J. Milne, Roger T. Dean
• Filtration of Pitch-Class Sets Complexes / Louis Bigo, Moreno Andreatta
• Computer-Based Approaches to Composition and Score Structuring
• Synesthesizer: Physical Modelling and Machine Learning for a Color-Based Synthesizer in Virtual Reality / Giovanni Santini
• Mercury ® : A Software Based on Fuzzy Clustering for Computer-Assisted Composition / Brian Martínez-Rodríguez, Vicente Liern
• A Parse-Based Framework for Coupled Rhythm Quantization and Score Structuring / Francesco Foscarin, Florent Jacquemard, Philippe Rigaux, Masahiko Sakai
• Reinterpreting and Extending Anatol Vieru's Periodic Sequences Through the Cellular Automata Formalisms / Paul Lanthier, Corentin Guichaoua, Moreno Andreatta
• Models for Music Cognition and Beat Tracking
• Surprisal, Liking, and Musical Affect / Noah R. Fram
• Autocorrelation of Pitch-Event Vectors in Meter Finding / Christopher Wm. White
• The Envelopes of Consonant Intervals and Chords in Just Intonation and Equal Temperament / Luis Nuño
• Maximally Even Tilings / Jeremy Kastine
• Short Papers
• Distributed Vector Representations of Folksong Motifs / Aitor Arronte Alvarez, Francisco Gómez-Martin
• Visualizing Temperaments: Squaring the Circle?
• Gilles Baroin, André Calvet
• Music Corpus Analysis Using Unwords / Darrell Conklin
• Maths, Computation and Flamenco: Overview and Challenges / José-Miguel Díaz-Báñez, Nadine Kroher
• Formalization of Voice-Leadings and the Nabla Algorithm / Isaac del Pozo, Francisco Gómez
• Computational Music Therapy / Billie Sandak, Avi Mazor, Amichay Asis, Avi Gilboa, David Harel
• Special Session on the Pedagogy of Mathematical Music Theory
• Insiders' Choice: Studying Pitch Class Sets Through Their Discrete Fourier Transformations / Thomas Noll
• Have Fun with Math and Music!
• Maria Mannone
• Teaching Music with Mathematics: A Pilot Study / Andrew J. Milne, Andrea M. Calilhanna
• Integrated Music and Math Projects in Secondary Education / Miguel R. Wilhelmi, Mariana Montiel
• "Concerférences": of Music and Maths, for the Audience's Delight / Emmanuel Amiot.

This book constitutes the thoroughly refereed proceedings of the 7th International Conference on Mathematics and Computation in Music, MCM 2019, held in Madrid, Spain, in June 2019. The 22 full papers and 10 short papers presented were carefully reviewed and selected from 48 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on algebraic and other abstract mathematical approaches to understanding musical objects; remanaging Riemann: mathematical music theory as "experimental philosophy"?; octave division; computer-based approaches to composition and score structuring; models for music cognition and beat tracking; pedagogy of mathematical music theory.
(source: Nielsen Book Data)

• Primal-Circular Substitutions.- On the Group of Transformations of Classical Types of Seventh Chords.- Pairwise Well-Formed Modes and Transformations.- Homometry in the Dihedral Groups: Lifting Sets from Zn to Dn.- A Symmetric Quantum Theory of Modulation in Z20.- Almost Difference Sets in Transformational Music Theory.- Algebra of Harmony.- Developing Software for Dancing Tango in Compas.- Using Inharmonic Strings in Musical Instruments.- Real-Time Compositional Procedures for Mediated Soloist-Ensemble Interaction: The Comprovisador.- Strange Symmetries.- Interval Content vs. DFT.- Probing Questions about Keys: Tonal Distributions through the DFT.- Abstract Gestures: A Unifying Concept in Mathematical Music Theory.- Mathematical Music Theory and the Musical Math Game - Two Creative Ontological Switches.- Hamiltonian Graphs as Harmonic Tools.- New Investigations in Rhythmic Oddity.- Polytopic Graph of Latent Relations: A Multiscale Structure Model for Music Segments.- Dynamic Time Warping for Automatic Musical Form Identification in Symbolical Musical Files.- Identification and Evolution of Musical Style I: Hierarchical Transition Networks and their Modular Structure.- A Fuzzy-Clustering Based Approach for Measuring Similarity Between Melodies.- The Evolution of Tango Harmony, 1910-1960.- Determination of Compositional Systems through Systemic Modelling.- A Cluster Analysis for Mode Identification in Early Music Genres.- Cross Entropy as a Measure of Coherence and Uniqueness.- Complementary Collection and Ligeti's Combinatorial Tonality.- Probabilistic Generation of Ragtime Music from Classical Melodies.- Using Probabilistic Parsers to Support Composition of Salsa Music.
• (source: Nielsen Book Data)

This book constitutes the thoroughly refereed proceedings of the 6th International Conference on Mathematics and Computation in Music, MCM 2017, held in Mexico City, Mexico, in June 2017. The 26 full papers and 2 short papers presented were carefully reviewed and selected from 40 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on algebraic models, computer assisted performance, Fourier analysis, Gesture Theory, Graph Theory and Combinatorics, Machine Learning, and Probability and Statistics in Musical Analysis and Composition.
(source: Nielsen Book Data)

• Papers. The Torii of Phases / Emmanuel Amiot
• Towards a Categorical Theory of Creativity for Music, Discourse, and Cognition / Moreno Andreatta [and others]
• Computation and Visualization of Musical Structures in Chord-Based Simplicial Complexes / Louis Bigo [and others]
• Compositional Data Analysis of Harmonic Structures in Popular Music / John Ashley Burgoyne, Jonathan Wild, Ichiro Fujinaga
• Sturmian Canons / Clifton Callender
• Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons / Elaine Chew, Clifton Callender
• Maximal Translational Equivalence Classes of Musical Patterns in Point-Set Representations / Tom Collins, David Meredith
• Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian Duality / Thomas M. Fiore, Thomas Noll, Ramon Satyendra
• Key Induction and Key Mapping Using Pitch-Class Set Assertions / Eliot Handelman, Andie Sigler
• The Structure of Z-Related Sets / Franck Jedrzejewski, Tom Johnson
• Hypergesture Homology for Performance Stemmata with Lie Operators / Guerino Mazzola
• Glarean's Dodecachordon Revisited / Thomas Noll, Mariana Montiel
• Effects of Temporal Position on Harmonic Succession in the Bach Chorale Corpus / Mitchell Ohriner
• A Hypercube-Graph Model for n-Tone Rows and Relations / Robert W. Peck
• Using Formal Concept Analysisto Represent Chroma Systems / Tobias Schlemmer, Moreno Andreatta
• An Alphabet-Reduction Algorithm for Chordal n-Grams / Christopher Wm. White
• Evaluation of n-Gram-Based Classification Approaches on Classical Music Corpora / Jacek Wołkowicz, Vlado Kešelj
• The Minkowski Geometry of Numbers Applied to the Theory of Tone Systems / Marek Žabka.

This book constitutes the thoroughly refereed proceedings of the Fourth International Conference on Mathematics and Computation in Music, MCM 2013, held in Montreal, Canada, in June 2013. The 18 papers presented were carefully reviewed and selected from numerous submissions. They are promoting the collaboration and exchange of ideas among researchers in music theory, mathematics, computer science, musicology, cognition and other related fields.

• Sound, Motion and Gesture
• Digital Musical Instruments, Embodiment and Performance
• Composition Tools
• Data Mining, Music Information Retrieval and Artificial Intelligence
• Music Analysis, Music Generation and Emotion.

This book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year?s post symposium edition contains peer-reviewed and revised articles centered around the conference theme "Music, Mind, and Embodiment". It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture This book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This years post symposium edition contains peer-reviewed and revised articles centered around the conference theme ٢Music, Mind, and Embodiment٣. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture

• I. Music Emotion Analysis. The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music / Emery Schubert [and others]
• Emotion in Motion: A Study of Music and Affective Response / Javier Jaimovich, Niall Coghlan and R. Benjamin Knapp
• Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates / Konstantinos Trochidis [and others].

• II. 3D Audio and Sound Synthesis. Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes / Martin J. Morrell and Joshua D. Reiss
• Perceptual Characteristic and Compression Research in 3D Audio Technology / Ruimin Hu [and others]
• Intuitive Control of Rolling Sound Synthesis / Simon Conan [and others]
• EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data / Gilberto Bernardes, Carlos Guedes and Bruce Pennycook
• Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds / Etienne Thoret [and others].

• III. Computer Models of Music Perception and Cognition
• Auditory Sketches: Sparse Representations of Sounds Based on Perceptual Models / Clara Suied [and others]
• The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features / Marcelo Caetano, Athanasios Mouchtaris and Frans Wiering
• The Intervalgram: An Audio Feature for Large-Scale Cover-Song Recognition / Thomas C. Walters, David A. Ross and Richard F. Lyon
• Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features / Jason Jiří Musil, Budr Elnusairi and Daniel Müllensiefen.

• IV. Music Emotion Recognition. Music Emotion Recognition: From Content- to Context-Based Models / Mathieu Barthet, György Fazekas and Mark Sandler
• Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons / Jens Madsen, Bjørn Sand Jensen and Jan Larsen
• Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition / Erik M. Schmidt [and others].

• V. Music Information Retrieval. Sample Identification in Hip Hop Music / Jan Van Balen, Joan Serrà and Martín Haro
• Music Similarity Evaluation Using the Variogram for MFCC Modelling / Lorenzo J. Tardón and Isabel Barbancho
• Automatic String Detection for Bass Guitar and Electric Guitar / Jakob Abeßer
• Using Oracle Analysis for Decomposition-Based Automatic Music Transcription / Ken O'Hanlon, Hidehisa Nagano and Mark D. Plumbley.

• VI. Film Soundtrack and Music Recommendation. The Influence of Music on the Emotional Interpretation of Visual Contexts / Fernando Bravo
• The Perception of Auditory-Visual Looming in Film / Sonia Wilkie and Tony Stockman.

• VII. Computational Musicology and Music Education. Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series / Dan Stowell and Elaine Chew
• Structural Similarity Based on Time-Span Tree / Satoshi Tojo and Keiji Hirata
• Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier Fugues / Mathieu Giraud, Richard Groult, Florence Levé
• Market-Based Control in Interactive Music Environments / Arjun Chandra [and others].

• VIII. Cross-Disciplinary Perspectives on Expressive Performance Workshop. (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour / Regiane Yamaguchi and Fernando Gualda
• Multimodal Analysis of Piano Performances Portraying Different Emotions / Kristoffer Jensen and Søren R. Frimodt-Møller
• Focal Impulses and Expressive Performance / John Paul Ito
• Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control / Alexis Kirke, Eduardo R. Miranda and Slawomir J. Nasuto.

This book constitutes the thoroughly refereed post-conference proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval, CMMR 2012, held in London, UK, in June 2012. The 28 revised full papers presented were carefully reviewed and selected for inclusion in this volume. The papers have been organized in the following topical sections: music emotion analysis; 3D audio and sound synthesis; computer models of music perception and cognition; music emotion recognition; music information retrieval; film soundtrack and music recommendation; and computational musicology and music education. The volume also includes selected papers from the Cross-Disciplinary Perspectives on Expressive Performance Workshop held within the framework of CMMR 2012.

• Sound synthesis
• Music perception and cognition
• Interactive music : interface, interaction
• Interactive music : gestures and sensors
• Interactive music : music composition
• Music retrieval : music performance
• Music retrieval : music analysis
• Music retrieval : music representation
• Interdisciplinarity and computer music.

• Objective Assessment of Ornamentation in Indian Classical Singing / Chitralekha Gupta and Preeti Rao
• Optimized Neural Architecture for Time Series Prediction Using Raga Notes / Moujhuri Patra, Soubhik Chakraborty and Dipak Ghosh
• Meter Detection from Audio for Indian Music / Sankalp Gulati, Vishweshwara Rao and Preeti Rao
• Assessment of Level of Recovery of Cognitive Impairment in the Cerebrovascular Accident and Head Injuries Cases: Therapeutic Impact of North Indian Ragas / Shashi Bhushan Singh, Soubhik Chakraborty and Keashav Mohan Jha
• On Tanpura Drone and Brain Electrical Correlates / Matthias Braeunig, Ranjan Sengupta and Anirban Patranabis
• Musical Instrument Identification Based on New Boosting Algorithm with Probabilistic Decisions / Jun Wu and Shigeki Sagayama
• Music Genre Classification Using an Auditory Memory Model / Kristoffer Jensen
• Interactive Music 3.0: Empowering People to Participate Musically Inside Nightclubs / Yago de Quay
• Hierarchical Clustering of Music Database Based on HMM and Markov Chain for Search Efficiency / Joe Cheri Ross and John Samuel
• Fundamental Frequency Modulation in Singing Voice Synthesis / Ryan Stables, Cham Athwal and Jamie Bullock
• A Statistical Approach to Analyzing Sound Tracings / Kristian Nymoen, Jim Torresen, Rolf Inge Godøy and Alexander Refsum Jensenius
• Auditory Time-Frequency Masking: Psychoacoustical Data and Application to Audio Representations / Thibaud Necciari, Peter Balazs, Richard Kronland-Martinet, Sølvi Ystad and Bernhard Laback, et al.
• Perceptual Control of Environmental Sound Synthesis / Mitsuko Aramaki, Richard Kronland-Martinet and Sølvi Ystad
• Recognition of Assamese Phonemes Using RNN Based Recognizer / Utpal Bhattacharjee
• A System for Analysis of Large Scale Speech Data for the Development of Rules of Intonation for Speech Synthesis / Asoke Kumar Datta and Arup Saha
• Adaptive and Iterative Wiener Filter for Oriya Speech Processing Applications / Sanghamitra Mohanty and Basanta Kumar Swain
• On the Role of Formants in Cognition of Vowels and Place of Articulation of Plosives / Asoke Kumar Datta and Bhaswati Mukherjee.

This book constitutes the thoroughly refereed post-proceedings of the 8th International Symposium on Computer Music Modeling and Retrieval, CMMR 2011 and the 20th International Symposium on Frontiers of Research in Speech and Music, FRSM 2011. This year the 2 conferences merged for the first time and were held in Bhubanes, India, in March 2011. The 17 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in four main chapters which reflect the high quality of the sessions of CMMR 2011, the collaboration with FRSM 2011 and the Indian influence, in the topics of Indian Music, Music Information Retrieval, Sound analysis synthesis and perception and Speech processing of Indian languages.

• Auditory Display.- Tools for Designing Emotional Auditory Driver-Vehicle Interfaces.- Investigating Narrative and Performative Sound Design Strategies for Interactive Commodities.- A Review of Methods and Frameworks for Sonic Interaction Design: Exploring Existing Approaches.- Designing a Web-Based Tool That Informs the Audio Design Process.- Auditory Representations of a Graphical User Interface for a Better Human-Computer Interaction.- PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy.- Sonification and Information Theory.- A Sound Design for Acoustic Feedback in Elite Sports.- Surface Interactions for Interactive Sonification.- Quantum Harmonic Oscillator Sonification.- Using Sound to Identify Correlations in Market Data.- Intelligibility of HE-AAC Coded Japanese Words with Various Stereo Coding Modes in Virtual 3D Audio Space.- Navigation Performance Effects of Render Method and Head-Turn Latency in Mobile Audio Augmented Reality.- Evaluating the Utility of Auditory Perspective-Taking in Robot Speech Presentations.- Simulator Sickness in Mobile Spatial Sound Spaces.- Modeling and Retrieval.- From Signal to Substance and Back: Insights from Environmental Sound Research to Auditory Display Design.- Simulating the Soundscape through an Analysis/Resynthesis Methodology.- Effect of Sound Source Stimuli on the Perception of Reverberation in Large Volumes.- Towards Timbre Modeling of Sounds Inside Accelerating Cars.- Spatialized Synthesis of Noisy Environmental Sounds.- Imagine the Sounds: An Intuitive Control of an Impact Sound Synthesizer.- Algorithms for an Automatic Transcription of Live Music Performances into Symbolic Format.- Raising Awareness about Complete Automation of Live-Electronics: A Historical Perspective.- Polyphonic Alignment Algorithms for Symbolic Music Retrieval.- AllThatSounds: Associative Semantic Categorization of Audio Data.
• (source: Nielsen Book Data)

Computer Music Modeling and Retrieval 2009 was the sixth event of this - ternational conference series that was initiated in 2003. Since the start, this conference has been co-organized by the University of Aalborg, Esbjerg, D- mark (http://www. aaue. dk) and the Laboratoire de M' ecanique et d'Acoustique inMarseille, France(http://www. lma. cnrs-mrs. fr)andhastakenplaceinFrance, ItalyandDenmark. The?vepreviouseditionsofCMMRo?eredavariedoverview of recent years' music information retrieval and sound modeling activities in addition to alternative ?elds related to human interaction, perception and c- nition, as well as philosophical aspects linked to the ?eld. We believe that the strength and the originality of this international conference both lie in its mul- disciplinary concept and its ability to permanently evolve and open for new trends and directions within the related ?elds of interest. This year's CMMR took place in Copenhagen, Denmark, May 18-22, 2009 and was associated with theInternationalConferenceonAuditoryDisplay(http://www. icad. org), hereby introducing new topics related to sound design, soni?cation and augmented - ality to the computer music modeling and retrieval community.
(source: Nielsen Book Data)

• Auditory Display.- Tools for Designing Emotional Auditory Driver-Vehicle Interfaces.- Investigating Narrative and Performative Sound Design Strategies for Interactive Commodities.- A Review of Methods and Frameworks for Sonic Interaction Design: Exploring Existing Approaches.- Designing a Web-Based Tool That Informs the Audio Design Process.- Auditory Representations of a Graphical User Interface for a Better Human-Computer Interaction.- PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy.- Sonification and Information Theory.- A Sound Design for Acoustic Feedback in Elite Sports.- Surface Interactions for Interactive Sonification.- Quantum Harmonic Oscillator Sonification.- Using Sound to Identify Correlations in Market Data.- Intelligibility of HE-AAC Coded Japanese Words with Various Stereo Coding Modes in Virtual 3D Audio Space.- Navigation Performance Effects of Render Method and Head-Turn Latency in Mobile Audio Augmented Reality.- Evaluating the Utility of Auditory Perspective-Taking in Robot Speech Presentations.- Simulator Sickness in Mobile Spatial Sound Spaces.- Modeling and Retrieval.- From Signal to Substance and Back: Insights from Environmental Sound Research to Auditory Display Design.- Simulating the Soundscape through an Analysis/Resynthesis Methodology.- Effect of Sound Source Stimuli on the Perception of Reverberation in Large Volumes.- Towards Timbre Modeling of Sounds Inside Accelerating Cars.- Spatialized Synthesis of Noisy Environmental Sounds.- Imagine the Sounds: An Intuitive Control of an Impact Sound Synthesizer.- Algorithms for an Automatic Transcription of Live Music Performances into Symbolic Format.- Raising Awareness about Complete Automation of Live-Electronics: A Historical Perspective.- Polyphonic Alignment Algorithms for Symbolic Music Retrieval.- AllThatSounds: Associative Semantic Categorization of Audio Data.
• (source: Nielsen Book Data)

Computer Music Modeling and Retrieval 2009 was the sixth event of this - ternational conference series that was initiated in 2003. Since the start, this conference has been co-organized by the University of Aalborg, Esbjerg, D- mark (http://www. aaue. dk) and the Laboratoire de M' ecanique et d'Acoustique inMarseille, France(http://www. lma. cnrs-mrs. fr)andhastakenplaceinFrance, ItalyandDenmark. The?vepreviouseditionsofCMMRo?eredavariedoverview of recent years' music information retrieval and sound modeling activities in addition to alternative ?elds related to human interaction, perception and c- nition, as well as philosophical aspects linked to the ?eld. We believe that the strength and the originality of this international conference both lie in its mul- disciplinary concept and its ability to permanently evolve and open for new trends and directions within the related ?elds of interest. This year's CMMR took place in Copenhagen, Denmark, May 18-22, 2009 and was associated with theInternationalConferenceonAuditoryDisplay(http://www. icad. org), hereby introducing new topics related to sound design, soni?cation and augmented - ality to the computer music modeling and retrieval community.
(source: Nielsen Book Data)

• A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting
• Renotation from Optical Music Recognition
• Foundations for Reliable and Flexible Interactive Multimedia Scores
• Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation
• Describing Global Musical Structures by Integer Programming on Musical Patterns
• Improved Iterative Random Walk for Four-Part Harmonization
• Location Constraints for Repetition-Based Segmentation of Melodies
• Modeling Musical Structure with Parametric Grammars
• Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters
• Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals
• A Corpus-Sensitive Algorithm for Automated Tonal Analysis
• Finding Optimal Triadic Transformational Spaces with Dijkstra's Shortest Path Algorithm
• A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation
• Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality
• Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm
• Logistic Modeling of Note Transitions
• Evaluating Singer Consistency and Uniqueness in Vocal Performances
• A Change-Point Approach Towards Representing Musical Dynamics
• Structural Similarity Based on Time-Span Sub-Trees
• Cross Entropy as a Measure of Musical Contrast
• Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming
• Applications of DFT to the Theory of Twentieth-Century Harmony
• Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute
• A Statistical Approach to the Global Structure of John Cage's Number Piece Five⁵
• Exact Cover Problem in Milton Babbitt's All-Partition Array
• Constructing Geometrical Spaces from Acoustical Representations
• Geometry, Iterated Quantization and Filtered Voice-Leading Spaces
• Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading
• All-Interval Structures
• Unifying Tone System Definitions: Ordering Chromas
• A Categorical Generalization of Klumpenhouwer Networks
• The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis: Using Polarization and Tonal Regions in a Dynamic Environment
• Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines
• ¿El Caballo Viejo? Latin Genre Recognition with Deep Learning and Spectral Periodicity
• Can a Musical Scale Have 14 Generators?
• On the Step-Patterns of Generated Scales That are Not Well-Formed
• Triads as Modes within Scales as Modes
• Greek Ethnic Modal Names vs. Alia Musica's Nomenclature.

This book constitutes the thoroughly refereed proceedings of the 5th International Conference on Mathematics and Computation in Music, MCM 2015, held in London, UK, in June 2015. The 24 full papers and 14 short papers presented were carefully reviewed and selected from 64 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on notation and representation, music generation, patterns, performance, similarity and contrast, post-tonal music analysis, geometric approaches, deep learning, and scales.