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• A Shoshone beginning
• Captured and traded
• Lewis and Clark
• Winter at Fort Mandan
• Up the Missouri
• Three Forks
• Meeting the Shoshones at last
• Crossing the divide
• Winter at Fort Clatsop
• Headed home
• The first ending
• Jean-Baptiste after the expedition
• The mystery, the myth, the legend.

'In 1942 my father, Darwin Fitzgerald ('Gerry') Samuel, boards a British ship and leaves his native Grenada, bound for war-torn Britain. He worked in the armaments industry, qualified as a teacher, and married Scottish nurse Nelleen Hogan. In 1950, two years after the Empire Windrush had opened the flood gates to England, our father went home with his young family: a man on the up. Pity, it wouldn't last. One fateful day in 1960 while living in Trinidad, my mother walked out on us without warning or nary a goodbye to her three young sons, thrusting us into the sole care of our father. To say our father was unprepared is putting it mildly: he was in a state of shock, for he had no inkling of this pending abandonment by his wife of ten years. But despite his shock, there was one thing he would never do: abandon his sons. Teacher, seeker, writer, Renaissance man, and most of all Nomad, that was my father. Unlike most of the Windrush Generation, our journey didn't end after we got off the ship in Liverpool - that was just the beginning. By the time I turned eighteen, I'd already lived in five countries: Grenada, Trinidad, Guyana, England and the US. In 1971 came my father's finest move: Jamaica. In one seminal year, my life was transformed: from a dumbed-down, low self-esteem immigrant kid in London, into a newly confident sixth former, about to enter university. Jamaica in the seventies was the world epicentre of street cred, with its heady mixture of Marley and Manley, Reggae and Rasta - interspersed with large doses of murder and mayhem. After my father died, suddenly and shockingly, my brothers (who really are called Tom and Gerry) and I went in search of our long-lost mother, and what we found was way more than we'd bargained for. Follow me as we go from the hills of Grenada to the arse end of London in an unforgettable West Indian journey, full of dramatic twists and escapades. This is my story - my tribute to our father and to all those unsung fathers, who have 'mothered' countless generations of Caribbean men and women' -- Details from author.

• Intro
• Folha de rosto
• Epígrafe
• Apresentação
• Prefácio
• Introdução ao Dispositivo Nacional na Argentina
• Antigas ruínas ou as ficções do passado: monumentos
• Discurso e dispositivo: capturando os sentidos e as fissuras
• Cronótopo historicista: o tempo do Dispositivo Nacional
• Borrar os contornos: conceitos
• O "fazer morrer" moderno: esgaçando a biopolítica
• Extremidades do dispositivo ou a nação no limiar
• O fogo e as cinzas ou uma história em movimento
• 1. Alvorada no deserto: missão e regeneração nacional
• Nem unitários, nem federalistas ou a invenção de 1837

• Socialismos no Prata ou sobre encontros inesperados
• Mayo ou a força teológica da origem
• Utopia e redenção
• Depois do Sol ou o documento de barbárie
• 2. Exterioridade: exílio e nação
• Ex
• Alberdi ou o homem público
• Echeverría ou a dor do tempo
• Mariquita ou o entre-lugar da vida
• Sarmiento ou a nação traumatizada
• Mármol ou o peregrino
• Illium
• 3. A invenção do deserto: o Pampa na ordem visual moderna
• A construção do espaço
• O deserto como problema
• O espaço do "fazer morrer"
• A ordem visual
• 4. El rapto de la cautiva: entre fantasmas e violências

• Rasuras na moldura ou encenando o relato inicial
• Imagens do outro ou o árabe dos pampas
• Rugendas ou uma imagem para Argentina
• Traços do Barroco ou o não lugar da fundação
• Violência e violação ou a sobrevivência de uma imagem
• 5. Margens do Prata ou sintomas antimodernos
• Das dobras ou liames da modernidade
• Despotismo esclarecido ou a sombra do sufrágio
• Da natureza ou avesso da modernidade
• O desfecho do dispositivo ou a história como trauma na Argentina
• Itinerário
• Violência, enunciação e trauma
• Descolonizar o trauma
• Dispositivo, genocídio e ferida colonial

• Arquivos Pesquisados
• Documentos
• Obras literárias, políticas e filosóficas
• Referências bibliográficas
• Posfácio
• Como se faz um deserto: guerra, modernização e imaginação territorial no século XIX
• Formas do vazio
• O tempo da viagem, o tempo da guerra
• Espaço anacrónico e ruínas
• Bibliografia
• Página final.

• O contexto da aldeia e da capitania
• A insurgência em Reritiba
• Orobó, uma comunidade indígena rebelde
• Os indígenas do Espírito Santo e as reformas pombalinas.

• Introduction: The View from Stone Mountain
• Countrified City
• Civil Rights Citizenship and Its Environments
• Water Woes and Democratization
• Making Citizenship Environmental
• Jimmy Carter, Black Power, and the New Environmental State
• Sprawling, Skewing, and Greening
• Conservatism Remade, Environmentalism Eclipsed
• Conclusion: Back to the Future?

"Race and the Greening of Atlanta turns an environmental lens on Atlanta's ascent to thriving capital of the Sunbelt over the twentieth century. Uniquely wide ranging in scale, from the city's variegated neighborhoods up to its place in regional and national political economies, this book reinterprets the fall of Jim Crow as a democratization born of two metropolitan movements: a well-known one for civil rights and a lesser known one on behalf of 'the environment.' Arising out of Atlanta's Black and white middle classes respectively, both movements owed much to New Deal capitalism's undermining of concentrated wealth and power, if not racial segregation, in the Jim Crow South. Placing these two movements on the same historical page, Christopher C. Sellers spotlights those environmental inequities, ideals, and provocations that catalyzed their divergent political projects. He then follows the intermittent, sometimes vital alliances they struck as civil rights activists tackled poverty, as a new environmental state arose, and as Black politicians began winning elections. Into the 1980s, as a wealth-concentrating style of capitalism returned to the city and Atlanta became a national 'poster child' for sprawl, the seedbeds spread both for a national environmental justice movement and for an influential new style of antistatism. Sellers contends that this new conservativism, sweeping the South with an antienvironmentalism and budding white nationalism that echoed the region's Jim Crow past, once again challenged the democracy Atlantans had achieved"-- Provided by publisher.

• Arte, memoria y comunidad : itinerancia y aprendizajes
• Proyectos del Museo Itinerante Arte por la Memoria : los proyectos més importantes del Museo Itinerante Arte por la Memoria
• Obras y artistas
• Agradecimientos
• Textos
• Obras expuestas en el Museo Itinerante Arte por la Memoria.

Alternative and independent museum project that arose in 2009, in Lima - Peru. Its objective is to keep a living memory of our recent past of violence through art and an intercultural and interdisciplinary approach. It is a traveling museum exhibition that is installed in the public space and that collects pieces of art about the period of political violence (1980 - 2000), its causes and consequences in the present. Based on art, it seeks to raise awareness and generate dialogues in relation to the various memories of political violence and the defense of human rights.